Do you really need ultra expensive cables?


I was always told that you need to spend about 30-40% overall budget on cables to have good sounds. To some equiqment manufractures, that is not the case.

For those of you who visited McIntosh at HE 2003. What do you think about their Stereo set-up? Do you reallized that they spend less than 3% on cables? Not that they can't afford them. But their arguement was that if your equiqments are so nice, and so musical, why do you have to depends on cables to improve sounds. What do you think of that?

Thanks!
rodney01
Installation skills certainly play a role in car audio as do they in home audio. Component matching, proper isolation, etc. all play a role.

In short, Viggen, you add support to my first post on this thread where I mention that most large corporations are full of those not really into the hobby, that have questionable skills, and hearing. If, as you state, proper installation equates to such a high percentage of car audio final performance, one can assume that the negative result of the 540 BMW at 2003 CES was an indication of the skill level of McIntosh's personell on this important project. This said, their statement that they spend less than 3% on cabling also makes sense.

After all, as Drubin stated, "You don't need expensive cables, but you do need good cables. Unfortunately, the good ones tend to be pricey".

Jack
Actually, what I meant to say is, before words are being further added into my mouth, that car audio hobbyist are not after the same sound audiophiles are after despite the best intentions of otherwise higher end audio companies.

And, let me reemphasize, it is the people who are really into car audio that screws up the sound not the corporate people in their ivory towers.
I agree with you, Viggen. Wouldn't you assume that an audiophile company that displays their latest car audio products boldly, at the footsteps of the High End Audio exhibits at CES, to maybe raise the bar somewhat? To produce something that betters the typical car system that annoys us at the stoplight? (One note bass, etc.)

And, in the case of McIntosh's CES exhibits, aren't the corporate guys calling the shots? Don't they have the power to decide what they want to display? If they have the choice of component matching and installers (which you give 90% credit to), one could assume that they would place their best foot forward. This is no different criticism that the high end audio manufacturers endure. If someone has a decent sounding room at CES, it is because they have proper system integration, proper placement, proper use of room treatments, etc., however, they also have to start with decent sounding products. Correct?

In this case, it was the corporate guys at McIntosh calling the shots. The typical teenager that hangs out at the local car stereo shop did not decide to re-brand a Clarion with a McIntosh placard. Nor did they chose system components/installers/displaying where they had at CES. This remains my point.

Jack
No one is arguing that it is the suits at either Clarion or McIntosh wanted to choose the other as their OEM. Stop making this THE argument.

And, I do NOT assume a company such as McIntosh would proudly or boldly show off their new over-sized portable boom box. They are catering to the target market who are the car audio enthusiasts who happens to be the "typical" teenagers.

Please stop twisting my words. Thanks.