Which IC is more important?


I don't know if this has been addressed specifically before, but I couldn't find it searching thru the cables forum. At the risk of being redundant, I'll put this forward to the community.

Looking at a CDP - line stage - amp sequence, which of the two IC's is more critical? Any reason, scientific or other, as to why? What have your experiences been in using different IC's in these places (ie. type of IC, quality, cost, etc.)?

Looking forward to hearing about your experiences.
mapleleaf
The upstream cable is always more critical, because it affects everything downstream. That said, there are a variety of combinations that can work. Having the "best" cable at the beginning of the chain won't always be "best overall". It's a good rule of thumb to try it there first, of course. This seems like basic logic to me.
While i understand COMPLETELY where Carl is coming from and basically agree, my question is "what makes one cable "better" than another" ? Is it price ? Is it materials ? Is it geometry ? Is it gauge ? Is it specific electrical characteristics ? etc...... As such, all cables are simply "different". Where a specific cable works best in a system can only be found out via trial and error. I have had some "el cheapo" / "generic" / "non-audiophile" cables completely blow cables costing hundreds of dollars away in specific situations. I know that others have also run into the same situation. Bottom line: there is NO "best place" OR "best cable". It's all system dependent. Sean
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In defense of ML: W/O pretending to know the style or manner of all the regulars on this board (including him) I saw through his curt statement. He didn't intend to be insulting or ungrateful, though he certainly came off that way. He was just expessing his honest feelings without sugur-coating it: He simply enjoys and appreciates the longer posts thats all.

There were many excellant comments admonishing his behavior as well, that I do not want to slight. Every one (thank goodness) is a unique individual who thinks and express' themselves differently, hopefully with a clarity and intelligence. Judging by this post I believe we can guess my preference; apologies to those fans of brevity.

I especially concur with Sean's advice for finding out yourself, side tracks/pit falls included, if only to appreciate "your work of art". True appreciation is measured by the scarfices indured (hows that for short). I also agree with Carl, IME especially of late, the link between line stage and amp is pretty damn critical, least to these ears. YMMV.

MikE
The interface between all components is obviously critical, I think everyone agrees with that - for me the preamp/amp connection is the most critical and I proved it when I did extensive auditioning of cables. I noticed a bigger difference when swapping out that interface vs. source to preamp. Can't say why but it was...YMMV
A couple of comments have implied that I'm trying to take short cuts to "audio nirvana" by putting up this post. I'd like to make it clear that I am not. I am trying different stuff on my own, in different places on my gear. It's been, and always is, great fun and a great hobby.

If you construed from my comments that I'm looking for advice like "Hey, try cable XYZ that costs ABC dollars at your source because it'll sound good!", then my question and dialogue should've been more clear.

Your input is great, long or short. I don't believe longer is better. I'd love to hear about your journey in getting to where you are today though.

I'd also like to share with you about what prompted me to post this question. I swapped cables X and Y in my gear, and after letting them settle, I concluded it sounded horrible in that configuration. Putting them back the other way sounded good again. Obviously something is afoot...little cable elves got upset???