what do you know"


after experimenting with diferent spkrs cables, from audio quest mont blank,to VD reference, cardas GR,my current cables. whent to a friends house over the weekend to audition it's new VTL 7.5 preamp, stumble across a pair of MIT 750,spkr cable that has been neglected for a long time and asked to borrow cables for a trial, wasnt' specting mouch from cable, but for my surprice this cable blew away all my other cables buy far, imaging was unbeliavable,instrument separation,air and sound stage was out of this word, to be honest the best Ihave try by far, did some research on this cable, and it sells for $175 or bo, now I have my $2500 cables for sale and I can believe Im doing this, anybody with similar experience,
juancgenao
Alan uses 79 Strand copper

I recommend that too. Great speaker wire - you get nice contact at the binding posts and very flexible - no stress on connectors.
Cycloneisman,

If you hear it, you hear it?

placebo effect

noun
any effect that seems to be a consequence of administering a placebo; the change is usually beneficial and is assumed result from the person's faith in the product or preconceptions about what the product was supposed to do;

Also see subject-expectancy effect. ACTUALLY READ this stuff people. This is why it is SO important to engage in objective experiments like the aforementioned.

In other words: IT'S PSYCHOLOGICAL!!!

Get over this fact and you can actually move on to enjoy the music.

BTW, what research papers are you referring too? Or are you inferring that they exist? If this is so why do you dogmatically dismiss them?

Furthermore, you use a very weak objection with regards to Newton's Laws. What do they have t do with electricity? Do you even have a basic understanding of electro-magnetic science?

I'm also not sure what you mean by this statement. If there is some 'mystical' force field beyond our 'human capacity' of understanding that is affecting the sound of our systems then how do the perpetrators of such high-end cables garner the knowledge to make them?

I'm confused????
During these uh, 'blind' testgin sessions, were the cables all being kept hot? hot swapped in and out too?

I'd not allow wires to be popped on or off my gear while it was energized... or anyone else’s. Then there's the warming up part. I'm doubtful a good A/B situation exists unless one uses likewise gear/sources, or those with multiple inputs or outputs so differing cables can be alternatively chosen at one’s discretion. For instance, with a preamp connected to all the same CDPs, but with different ICs on each CDP. Even then there’s the warming up period to do all over again… albeit somewhat a more abbreviated period if done in that fashion.

main IC comparisons would be tougher, given the above constraints... speaker wires too would be problematic to A/B properly.

My DAC has twin outputs, yet even there, XLR>RCA adapters need to be used on one set. It's easy to discern the diffs between cables using it as a source however in spite of that one addition.

Don't make memory an aspect of the session. Such tests are going to be problematical indeed, yet I'd bet a good deal merely selecting from one pair to another will surely reveal if there are any sonic diffs from pair to pair.

I mean as long as one is going to do an A/B of cables... make the affair such that ONLY the cables are indeed the items being subjected to the test. NOT the ICs and your memory, right?

That is of course, IF you’re looking to prove something about cables and NOT about aural memory.

Naturally, it stands to reason always, if you don’t hear a diff, and you’ve done an exact comparative session without reliance upon memory, then certainly one should not pay the difference… regardless the amount of $$$ you have in your gear.
Baroque_lover, For some reason they didn't allow my original post to go through, hope this one does get posted. Just wanted to say Happy Holidays , hope you get over yourself so that you will hear the music too!!