Are there other Artisan Fidelity TT owners aorund?


So after being an audio hobbyist since my uncle got me going down this demented path some 17 years ago I finally purchased a TT. I had flirted with the idea for a very long time but honestly I've heard a number of TT's at shows and at buddies homes and none of them moved me. Now obviously many many variables are involved. Lets start with, was their TT setup correctly (superlatively).., I don't know. Was the arm/cartridge combination simpatico.., again, I don't know. Was the phono preamp just so-so or great and if it was great was the cartridge loaded correctly.., you get my drift.

So with my digital down through the years easily besting (to my ears) the analog I'd been privy to, I found no reason to spend the money required to involve myself with analog. My former Bidat easily dispatched a SOTA Cosmos Vacuum TT in a head to head listening session. Ditto for my former Dynavox Dynastation.., same with my AMR DP777...etc.

At Axpona last year I listened to the $170K Clearaudio TT along with about $85K worth of Pass Amplification and perhaps $200K worth of JM Labs speaker and cabling only to be more moved by the sound from the Playback Design MPD-5 in the same room.

Finally I realized the only way I would ever find out for myself would be to purchase my OWN TT and make sure it was expertly setup and dialed-in. I had a rare chance to purchase a latest-revision-pristine example of a Graaf GM70 Phono Preamplifier. I have a soft spot for Graaf as Mr. Mariani simply builds the finest gear I have laid ears on. So now I have this phono pre sitting in the box for a few months when I see a SP 10 MK III come up for sale in Agon. So, I threw caution to the wind and contacted Chris at Artisan Fidelity; after some conversation I hung up having just commissioned the building of a SP10 MKIII Next Gen TT.

I was happy for about a month then the fear started to creep in, "what have I done?". What if this thing SUCKS!!!! and my digital system which is very very very good if I do say so myself stomps it!

During the build I researched and read tons of user reviews (I don't really pay attention to so-called pro reviewers) on arms and cartridges. I finally settled (with a lot of talking to Chris and other friends and a lot of late night web searching) on the Kuzma 4 Point and the Ortofon MC Anna.

So, here we are today and I have had my TT for a little over 3 weeks now and I have about 150 - 160 hours on the rig. Early on it sounded ok, you know.., good but nothing special. I liked it but my digital was fully up to the task and in some cases much better :) (now I'm scared)

Ok, so fast forward to 100 hours.., ok, I think I'm starting to understand all this analog hype :) better and better. now we are at 150 hours.., the word SUBLIME comes to mind. The spaciousness, openness and natural continuity of the analog is addictive. The dynamics seem to go on forever along with a naturalness that is very difficult to put into words. I did purchase the Furutech Demag, the Destat II, a scale..., all the toys to go along with it :) Again, I wanted to know for myself and the only way to do that was to take the plunge.

So how does my digital hold up? Well, my well run-in long time AMR DP777 has NOTHING to be ashamed of. It sounds great and I can easily go from the TT to the DP without too much shock (the AMR guys are big vinyl heads and use vinyl as a reference when designing) BUT... when I have two equally well recorded pieces of music (Best of Eva Cassidy comes to mind or Diana Krall Live in Paris 24/96 vs 180g/45) as good as my digital sounds the SP10MK III simply walks away. Again the digital is not trodden underfoot and indeed 20 seconds of the digital and you will be into it fully, but the analog rig beguiles with its effervescent ease and infinite continuity of musical flow.

Ok, so to end this long synopses.., I am now deeply into analog and have been going to local used record stores and burning up my cc on Music Direct and Acoustic Sounds...etc.

The folks at Artisan Fidelity are the real deal and they built me a museum quality +180 pound Porsche Basalt Black TT/piece of art that sounds AMAZING!!!!

I also ordered a Bassocontinuo Apogeo rack for the table which should arrive in about 2 weeks. I am enjoying my foray into the land of analog!!!

THANKS CHRIS!!!!!!!
audiofun
I have just (I am sure I am late to the party) discovered the Naim Label recording "Meet Me in London" with Antonio Facione and Sabina Scuibba. If you don't have this album, you need to get it. I ordered it from the Naim Label site but in the interim I purchased and download the 24/192khz remaster of Take 5.., this is an outstanding cut. My buddy played his album for me about a week ago while at his home listening to his analog rig. I am not sure if the latest album version (original recording was engineered in 1997) is from the remastered digital Master. I read the story on how and why the original 24 track tapes were digitized (which made perfect sense due to the delicacy of the original tapes and the fear that it would not survive the multiple Studer tape runs to remaster in full analog). There is a very good you tube segment on the making of the 24/192khz remaster (I think it is about 24 min in duration) and certainly worth watching.

A LOT of work evidently went into the remastering process with Mr. Facione present to give his seal of approval. You are going to love this album.
To clarify, "Take 5" is one of the cuts on the "Meet Me in London" album. I ordered the vinyl and downloaded the excellent 24/192 digital copy. Once I have the album I will of course compare the analog and digital versions of "Take 5". I will also make a 24/96 copy of "Take 5" using the A/D ability of my AMR PH77 for comparisons.., actually for the fun of it.
Audiofun,

While I enjoy "Meet Me in London" as well I think you'll dig Antonio's "Tears of Joy" even more. Pick it up you won't regret it!

Tim
Beatlebum: Thanks for the recommendation, I will definitely pick that one up as well!
05-13-14: Richardkrebs
Dover
Slick 50? Never. I use Motul as you well know.
You have a very short memory. Prior to using Motul, back in the 80's you were recommending the use of Slick 50 oil.
At the time I was a high end dealer and we found that Slick 50 oil accelerated bearing wear on some turntables as metal particles adhere to the teflon. I would encourage readers to be wary of non standard oil and additives and fully research them before use.