Affordable Mono Cartridge For VPI Scout


I have a Shelter 501 with my scout/super platter, but I have several mono records and an interest in music from the 1950s. I am looking into getting a new arm wand to experiment. Shelter has a Mono cartridge, but the price seems ridiculous to me, at $1,750, plus I might as well take the opportunity to experiment with a different sounding cartridge. So far, I have been thinking about Lyra Dorian, Cartridge Man Music Maker, the Sound Smith Denon mods or one of the Benz mono cartridges. I'll upgrade my table when finances permit, probably a few years from now....looking for a cartridge that will be good for a long time, even with a better table (e.g, TW-Acustic). Any suggestions would be much appreciated. All the best, Mark
mcmprov
What are the differences between the Soundsmith SMMC-3 stereo and mono versions? Is the stylus tip different? Is there a different construction besides coil orientation?

I disagree on the efficacy of the Denon 102.

There is nothing in the design that provides that it is less than ideal compared to modern "mono" cartridges. Simply connect both channel leads to the pins for use in a stereo system. The mono signal will be passed to each speaker. Or, connect only one channel and use mono switch to output the signal to the other channel. One will receive the same effect as modern "mono" cartridges.

Most importantly, the 102 also has vertical suspension just the same as modern "mono" cartridges so that stereo era mono records can be played without damage to the records. Nearly every modern "mono" cartridge also has vertical suspension. Exception would be the Ortofon CG25 or the Ortofon for 78s, which are designed for mono records not cut in the stereo era where vertical compliance is not needed or preferred.

As far as single or multiple coils are concerned, the 102 is a true mono cartridge with only a single coil. This is something uncommon in today's market that is dominated by mono cartridges that are simply stereo versions with coils oriented to provide the same function as a mono switch on the preamp.

With all that said, I do agree that the 102 may not be the best match for the JMW arm. If Mark can find a mono cartridge to match his arm that is materially different than the stereo version, it might be worth pursuing. Otherwise, I believe he should use the stereo version of a particular cartridge with a mono switch or pursue older options like a Pickering or Stanton (older GE, Denon, Ortofon all likely not a good match).

If the aformentioned early monos are being played, it be worth pursuing a true mono cartridge that does not have vertical suspension and/or a mono cartridge that has replaceable stylii or the larger 1 mil stylus needed for these records.
Plinko, if you read the specifications for the Denon DL 102 it does have vertical compliance. This is what makes it suitable for mono playback of stero recordings. But this will also make it noisier than a mono cartridge that does not pick up information in the vertical recording plane.

From the DL 102 Instruction Sheet:
Unlike conventional mono cartridges, this one is most effective when utilized in mono replay during stereo recordings because of its ability to comply to appropriate up/down movements.
If it's working well for you, great. I'm sure that there are a lot of happy campers using the DL 102. It's a great family of cartridges. But for the OP's intended use (50's era mono recordings), my opinion is that the Denon may not be the best choice.
BR,

Can you answer my question regarding the Soundsmith cartridge?

Regarding the Denon 102, I don't believe you are correct.

Read this link and in particular, the last paragraph below (if this is not clear, examine the graph...it's the same author as the link you provided):

http://www3.sympatico.ca/murraya/DenonMonoPage.htm

"As can be seen in this photo, the cartridge consists of a single solenoid wound moving coil mounted between fixed parallel pole pieces.

The pole piece faces are oriented at a 90° angle to the horizontal axis of the cantilever resulting in the cartridge producing its maximum output from lateral stylus motion, as is required for mono reproduction.

Stylus motions with angular displacement other than 90° to the horizontal axis, produces progressively diminished output, with a distinct null when the stylus motion is vertical"
Plinko, I will try to answer your question and address your comments to the best of my limited ability.

1- re: the Soundsmith cartridges - I do not believe that there are any differences besides the coil detail. Having said that, since Soundsmith is also offers a premier cartridge re-tipping service there are opportunities for customization. One can select between a variety of stylus tips.

2- I think that we can both agree that the DL 102 was designed to output a single channel (mono) signal. As you have suggested, the common practice is to connect both channel leads to the single signal pin on the cart. The problem with this, of course, is that by passing the high output of a single channel to both channels of a stero preamp you are effectivey reducing the output by half. So it then becomes necessary to increase the output of the phono stage, by either increasing the gain or the volume at the preamp. This leads to more noise. This same problem exists if you utilize a mono switch on your preamp. The dual-coil design of the Soundsmith (and other) mono cartridges mean that you have a seprate mono signal generator for each phono stage channel. This would not be preferred if you were using a single-channel (true mono) system.

3- re: the DL 102 page - I saw the same text that you copied. I can't explain it because I didn't write it, but it seems to be in contradiction to what Denon claims is the intended purpose of the cartridge (mono playback of stereo LPs). Also, if there is no output in the vertical plane why does Denon bother to publish a vertical compliance figure for the cart?
I use the 103 in both the 9" and 12.7 VPI arms, the recommended arm mass for the 103 is 6-16 grams, both arms fall well within this range. When it was tested by HiFI Choice in 1985 they estimated the actual compliance as 13 both lat and vert., which is higher than the figure of 10 or so often given. I doubt that they have changed the construction in the intervening years.