Anybody with an expensive TT try this????


Have you tried a cheapo cartridge (less than $50)? And how was the sound? Was it terrible or did it make you question, are the $1000 cartridges really worth it? Mike
128x128blueranger
You must not have heard very many cartridges to ask this question. In a analog system they are like speakers when it comes to the differences in sound from one to another. Not to mention background or lack of background noise. Even pops and clicks that you may hear from a record with one cartridge can be non exhistant with another.
The $1000 cartridges are worth it. At least those that continue to receive top reviews are. I would rather have $1000 Shelter cartridge on a cheap turntable than a $50 cartridge on a Rockport turntable.
Not THAT cheap ($50) but I agree that under-$1K carts* can sound exceptionally good on great tables thru great phonostages. The turntable is key, IMHO, with the tonearm/phonostage second and the cartridge third.

* Examples (what I'm using now): Ortofon 2M Black, Shure V15VxMR w/JICO stylus, Denon DL-103 w/Soundsmith retip and Uwe pod.
I believe it goes both ways. I have tried cartridges on my turntable that range in price from a few dollars, like $10-12 on eBay, to $10,000. What I noticed is that some really inexpensive cartridges which sound great on a lesser turntable might sound awful on a good turntable that sells at the high-end of the market. The ADC TRX series of cartridges come to mind. On an inexpensive turntable, say around a few hundred dollars, they sound pretty good, but on a turntable where manufacturing cost is no object they are overly bright, harsh and strident. You would not stay in the room through a single track. On the otherhand, the Technics 205C-IIX, a moving magnet cartridge that I bought NOS for $200, stands tall among moving coils that cost thousands, at least on my turntable. That cartridge sounded not bad, but average on an inexpensive turntable. I could give you a lot of examples, but I have the suspicion that when better equipment is involved the turntable, the tonearm, the phonostage and the wire come into play in a very big way that you don't see in most environments where more commonplace setups are found. I would even go as far as to say listening for these differences can be an indicator of sorts to determine the quality of a better turntable because such a turntable should be musical and revealing enough to blatantly show the weaknesses or the strengths of a given cartridge.

So, my take is that it is a case where you mileage will most certainly vary, rather than may vary.

Win
Saskia Turntables