In the latest The Absolute Sound


In the latest The Absolute Sound there is an add by Axiss Audio with the Transrotor Apollon turntable with 3 tonearms. I have a similar setup minus the 3 tonearms, I do have 3 motors, 80mm platter, Transmotor Magnetic Drive (TMD) spindle bearing and quartz controlled power supply.

I can't wait for anyone of the reveiwers to get a hold of one of these to write a review. It would be interesting to see how it compares to the likes of the Walker Gold, SME20 and 30, and the VPI top dog, HRX. The brushed aluminum is absolutely stunning to look at and easy to clean.

It has been out in Germany for about 3 years now.

V/r
Audioquest4life
audioquest4life
Jtimothya
Albert - I don't believe there is a non-motor-powered arm version of the Loricraft. Perhaps the pictures on your linked pdf for the Loricraft are "deceiving" as they show the pickup arm not attached to a motor. Actually, the bottom of the pickup arm shaft contains a magnet that couples to another magnet on the arm motor. The coupling occurs with the arm in place, so the pictures don't hint at this

That makes sense, it's impossible to know from the photo's. Good information I needed before I write a review on the RCM.

Doug
- best practice, as explained in the instructions, is to start the arm at the label and have it sweep outwards; you can use it the other way if you like variety ;-)

- I've never experienced liquid left behind in the run out groove, the lead-in groove or anywhere else

It appears the operation of the arm is identical for Keith Monks, RCM and the Loricraft, so the run out groove would not present any obstacle to cleaning where the grooves stubbornly direct the cleaning arm toward the center hole.

This WAS an issue with the LP being cleaned in England when I was covering the show there and photographing the Loricraft. Perhaps the demo was being done sloppily or perhaps that ONE LP had been cleaned tens of dozens of times for illustration and wound up being damaged or holding residual fluid.

Anyway, the issue is settled thanks to everyone adding to the pile of information.

As for Downunder finding the RCM at Ebay, I saw that too. In fact, if I had not included the term "Odyssey" in my text here at Audiogon to enable the search, the results are all but impossible to find.

Converting that Ebay price to US dollars is about $3600.00 and that unit is 240 volt. I'm not certain, but that fellow may be the manufacturer. I don't know what it would cost to ship from Europe and then convert it to 120 V, but it would not surprise me if it amounted to several hundred dollars. Add to this new total the import duty, profit for the importer and dealer margin for the end retailer (usually 40 or 50%) and the numbers are about right.

So, is the vacuum gauge, build quality, thread motor, possible vac adjustment or other features worth this additional money? That will be determined over the long haul.

The Loricraft has no dealer network and therefore costs less. I don't sell either machine, nor do I have plans to.

Last, is the Odyssey RCM better than the Loricraft? I can't imagine why, but according to Lloyd Walker (who owns two Loricraft machines) it is and that's the main reason I bought it. I moved from the excellent VPI 17F and wanted to make one last purchase of a LP cleaning machine, a machine that would last me the rest of my life. I think I made the right decision as I'm certain those that own a VPI or Loricraft are comfortable with their choices.
Albert, you are right. Just some Info about in general: The Keith Monks is "THE" Record cleaning Machine (RCM), it is all over the world known as the best there is. Very, very difficult to get a 2.hand one. Lots of collectors, studios, Radio Stations all over the world use it. It is very, very expensive, in Germany it was sold directly to have the chance to sell it to discriminated Vinyl Lovers.
The "Cult" about this unit made some think about copies, the Loricraft is based on that.
The Monks has the reputation to be the last one and it is true, they work all perfect.
That's the reason, why there are so rare on 2.hand, no one sells it, except he stopps listening to analog.
It is like a watch, when you want to have the "real" deal, go for a Rolex Daytona, when you only want to know the time, there are other choices.
The one from Albert is in a way the last step. Based on the last Monks version - my unit - with premium parts.
Thomasheisig, I'm out of my element here, though I have enjoyed talking with Terry Sullivan and seeing his cleaner at CES in year's past. The Monks product may be a much better vinyl cleaner than the Loricraft, but what is the difference in srp, and does the difference in cost correlate to the difference in performance?

Also, while some folks might think that the Rolie Daytona is the "real deal," I can assure you that many, many more collectors prefer other marques - particularly when it comes to chronographs. These absolute statements should be avoided...
Islandear, well, you know everything is a matter of taste, I see it here as an information platform. You can read something and what you do with it is your own decision. I know, that Information about Monks is rare and I know a little bit about, so I wrote a few lines.
What's the real price of everything? This decision is up to each own. I don't know. Is it 10x better than my previous VPI? NO, but so much better when I did a comparison that I couldn't believe my ears HOW MUCH better the sonic result was.
My comparison with the Rolex Daytona is just an example but let me say, all these socalled Collectors Items are more or less nonsense when you use them hard (Mountainbiking, lots of Temperature changes etc.), believe me, I know that. They simply do not work properly then. Always a safe return ticket to factory for Re-Adjustment. They are good for Show and to tell the World what you have but in extreme use the Daytona is the one. That's fact all over the world.
The Monks was designed for Professionals, who have to use it every day, like I wrote before. I know Record Dealers who offer customers a cleaning service for their records, they use Monks, nothing else.
Thomasheisig, I was just curious about the difference of price between the two. I agree that the performance of certain expensive products are worth the difference in price.

My point regarding the Daytona is that trying to make analgous comparisons is often misleading. For me, my 20 year old Breitling Shark Yachtsman is the ticket. It's been above 14K feet and below 60 feet (deep) and it's never had a hiccup. Is it 'better' than the Daytona? Certainly its mechanism is one of the best. And, for me, its aesthetics leave nothing to be desired. But I have friends who swear by their JLCs and IWCs. It's mostly a matter of taste (though for you and me, it's also about function).

I'll research the Monks so I can better understand your, and others, very high regard for this product. Thanks and enjoy your vinyl!