Experience with Raul's Essential 3150


Here are my comments on the listening session I had with Raul and his Essential 3150 Full Function Preamplifier.

Firstly, I would like to thank Raul. He is a very knowledgeable and kind gentleman. He has years and years of experience in music and analog systems. My respect for him is in another league after his visit. Some times his post opinions may seem controversial, but I think he knows what he’s talking about. Remember. Respect your elders…they have more experience.

Raul and Jose’s preamp is a seriously built unit!!! It has a separate power supply and the total weight of the two units is close to 50lbs. Very heavy, well shielded frame. Raul opened up the preamp and pointed out the level and quality of the parts. Vishay resistors, V-Caps, etc. This preamp is completely solid state and made with the finest parts and the inside does not look garage shop at all. It is impressive looking. His design is fully balanced from input to output. It included 2 SE line inputs, 2 balanced line inputs and 2 sets of phono inputs, both SE and balanced. It has a separate left and right volume control as well. The preamp is 12 years in the making and uses some interesting proprietary techniques. According to Raul, the distortion and frequency linearity is orders of magnitude better than just about all the other equipment out there.

We compared the music we were hearing using either his preamp or my CAT Ultimate MkII preamp. Since I had to create space in my rack, I removed my CD player. Therefore, we only listened to my analog system. I wish this were not the case because it would also have been good to compare line stages.

We listened to a few records: Miles Davis-Kind of Blue, Sade-Stronger than Pride, Steve Miller-Fly Like an Eagle, Pink Floyd-Dark Side of the Moon, and various classical selections. The most clear and obvious differences were bass response, transparency/detail and sound staging.

Music with the Essential had INCREDIBLE bass and midbass. Much, much better than listening through the CAT. It is extended, articulate and not attenuated the least bit. This improved the fullness and impact of the presentation greatly. It is quite amazing that my Analog system has bass potential that I was not even getting close to with the CAT. This alone has me seriously considering buying his unit.

As you would expect from fine solid state, the music had fine detail and transparency was at a higher level than you would expect with tubes. In this regard it was better than the CAT. Due to the transparency, the soundstage depth and width was very apparent. Dynamics were also very good.

In the mids to highs, music through the CAT had a richer and more immediate quality. Brass sounded brassier with the CAT than through the Essential. In comparison, music through the Essential had a detailed but lean, soft and relaxed presentation compared to the CAT. It comes down to which is more correct, which has a coloration and what does one prefer. Also, the Essential has some trim pots that allow extension or attenuation of frequencies above 20KHz. Raul believes that this observation would have been ameliorated by extending the frequencies.

Through both preamps, we heard slightly tipped up high frequencies in my system that Raul believes is not a function of either preamp. The most likely culprit is the frequency balance of the speakers or room acoustics. Therefore, I may need to address this problem first. Nonetheless, you can’t go wrong with the Essential 3150. It really is like a tool.

The other thing I will try is replacing the tubes in the preamp. They are about two years old and have been used extensively. Ken Stevens from CAT believes that this will improve the level of the bass, articulation and transparency across the entire frequency range. It will be interesting to rehear some of the tracks we played after this. I also would like the chance to try the Essential for a week instead of the 5-6 hours we took as well as compare the line stage performance.

Overall, the Essential 3150 is a seriously good preamp and is probably better than most commercial solid state and tube units. If you have a chance, give it a try. In my case, I’ll first try addressing the speakers, seeing if the new tubes make a difference and hopefully spending more time with the unit.

Andrew
aoliviero
I received an email form Jose' of J&R Music. He is as much a gentleman as Raul. It is clear the Essential is manufactured to the highest standards. Some much higher priced units use "proprietary" parts which do not approach this level. There is now a "3160". I assume there is a price increase. I suppose I will have to hear the preamp some time this summer.
A new model?

Already?

The successor to their Edsel. What's it called, the Corvair?

Hasta la vista baby.
Audiofeil, the Edsel failed because of lack of market acceptance, the Corvair failed because of management ineptness. Anyway, your analogy for the Essential is pretty silly.

Have you seen or heard the Essential 3150? I have and while I believe Raul or Jose' would not expect it (or any product) will appeal to everyone, it has sonic abilities that warrant consideration by anyone considering an upper end preamp or line/phono combination.
Is the new 3160 model a circuit change or cosmetic?

I ask because when Raul was here I ask why the umbilical cords were mounted on the front rather than the rear. Visually it was unappealing and Raul said he planned to change that in the new model.

So is the 3160 the 3150 with mods or a partial redesign?
I ask because when Raul was here I ask why the umbilical cords were mounted on the front rather than the rear. Visually it was unappealing and Raul said he planned to change that in the new model.
Paul and I discussed that with Raul too, and shared some ideas for faceplate redesigns that would make it look more like a commercial unit.

Of course our preamp is even more obviously a home-build. But it and the Essential are the two most realistic and lifelike sounding preamps we've heard.