Cd transport isolation


Out of curiosity does anyone have experience using different isolation products for transports? My CEC TL51x rests on 4 pieces of masterbase. But I have been thinking about trying out something different like Solid Tech feet of silence or Aurios Pro-Max. Now I’m a bit skeptical about isolation products in general. I haven’t tried without masterbase yet since I had them lying around.

So has one played around with different isolation products van transports or CD-players. Are those products any good? Or is the same investment better spend for isolation of the speaker.

I use a solidsteel H-6 audio rack. The shelves are made of MDF. The rack is very good for its price but I don’t like the looks of de MDF shelves. Can I replace them with “real” wood like maple or some other wood? Would that have an influence? Or doesn’t the material of the shelves have an influence on the sound?

For my complete system see my virtual system.
mordante
I found that my Forsell transport was extraordinarily affected by isolation devices, which I never could understand but I actually could hear clearly. In my experience, the best isolation I gave it involved using an air and silicone-filled bicycle inner tube in a base that was damped with sand and lead shot, and putting that on either a Seismic Sink or a Gingko Cloud 10 platform. This combination did a good job damping the vibrations of the unit as well as isolating it from vibrations transmitted from the rack (since my entire front end is in a different room from the speakers, I had less of a problem with airborne vibrations than others might have). Unfortunately every inner tube I used eventually would leak (fortunately the base with the sand did a good job containing the mess), so I ultimately wouldn't recommend doing this anymore. I can't say that isolating the other transports I have owned has made nearly as big a difference as isolation did with the Forsell (that was one tweaky unit).
FWIW, after trying countless variations over the years, including some mentioned above, I have finally found extreme satisfaction with the following combo under my digital sources, (configured as the text is viewed)

-Front End Device
-Boston Audio tune Blocks (w/tungsten carbide beaings)
-SAP Relaxa magnetic levitation platform

These are mounted on a multiply decoupled very low mass lossy rack, the result of which has been a very apparent increase in soundstage size, dynamics and resolution, without any tonal shift.... and all up for very minimal financial outlay.
The most effective device I have come with for my digital system is a DIY platform using concave door knobs with ball bearings in between. More clarity, defined bass and more details. Easy to construct, (6) door knobs (Amerock brand)(3) 5/8" ball bearings amd (2) wood shelves cut to size resmbling your transport footing. Try it!
Thank you for all the responce. I will first try a DIY ball bearing system. And maybe play around with different shelve materials.
My dvd 50 sits on three Mapleshade Mega Mounts that's sitting On a thier 24"x18"x4" platform and thier Samson II isolation rack which has 4" inch shelves. Of the different racks I've used this one is the only one that actually made a difference in the sound of the system. The brass footers and maple platform makes a very substantual difference.