OK, I did look into LFD and, wow, you’re right, what over-the-top praise! Jaw-dropping!
But unfortunately (please don’t hate me), you can’t always select a piece of gear as a sole function of sonics. And before anybody brings out the garlic and crucifix, I’ll point out that if that wasn’t the case, we’d all be listening to Chronosonic/D’Agostino systems. (And half of us would be divorced!)
In my case, I need a fair amount of connectivity, but the LFD line doesn’t even seem to have outputs for a powered subwoofer or external headphone amp. Or even a remote. IN fact, I’m not sure how it could be used with smaller Harbeths that roll off at around 45-50Hz. Even my Quad ESL-57s benefited tremendously by adding a sub.
I guess I could front-end an LFD integrated with an exceptionally flexible DAC, like a higher-end HiFi Rose unit that would add much of the analog & digital connectivity I’m looking for. But I'd still be missing a few crucial connections. And that would be a whole new research project.
What’s disappointing is how little info there online is about LFD's product line. I haven’t found a review that tabulates even the most basic specs, like size & weight, power rating, or even price. And even Gene Rubin’s Web site doesn't tell you much. After an hour online, I still can’t figure out which models are in the current LFD product line, much less compare them. LFD itself doesn’t have a working Web site.
What I’m gathering is that LFD is a small boutique operation, something like George Merrill’s GEM. I’m a big fan of bespoke equipment -- my GEM turntable is aptly named! -- but the downside is that I’m not sure how to make an intelligent purchase decision.
Nonetheless, I’m tempted to pick up a used Mistral on eBay (used units start at around $2000) and hang onto it for a bit just to hear what everybody’s talking about.
Anyway, thanks for teaching this old dog a new trick. LFD has now definitely caught my attention.