100 Albums You Would wish for...from a Genie


This thread was inspired by this thread:

https://forum.audiogon.com/discussions/building-a-100-album-vinyl-collection-3-must-have-albums-are

Please add to the above list. Thanks!

 

Okay, here is my premise for this:

I find an very odd, really old record in the $.99 cent bin in the back corner of some old, dusty record store. I pull the LP from the sleeve and a Genie appears. He says I can have any equipment/gear I want. Speakers, amp, preamp, etc. Just name it, (mbl Master Reference System and a custom room for it please.)...

...but, I can only have 100 albums forever to play on it. No "Best Of" or "Greatest Hits". No Box Sets or Compilations. Soundtracks are fine if original score, no Compilations. Double and Triple LP’s count as one album. (This Genie was very detailed in his instructions. He kinda looked like Donald Fagen).

 

What 100 albums would they be?

(I know I fudged on a rule or two, on a few of mine).

 

  1. Allman Brothers-Idlewild South

  2. Amazing Rhythm Aces-Too Stuffed To Jump

  3. April Wine-Harder, Faster

  4. Atlanta Rhythm Section-Red Tape

  5. Bad Company-Straight Shooter

  6. The Band-The Last Waltz

  7. The Beatles-Abbey Road

  8. The Beatles: Rubber Soul

  9. Jeff Beck-Live At Ronnie Scott’s

  10. Blackberry Smoke-The Whippoorwill

  11. Blackfoot-Strikes

  12. Karla Bonoff-Restless Nights

  13. Boston-Boston

  14. Jackson Browne-Late For The Sky

  15. Jimmy Buffett-Songs You Know By Heart

  16. Charlie-Lines

  17. Chicago-Chicago Transit Authority

  18. Eric Clapton-461 Ocean Boulevard

  19. Eric Clapton-Slowhand

  20. Marc Cohn-Marc Cohn

  21. Shawn Colvin-Fat City

  22. Cowboy Junkies - The Trinity Sessions

  23. Creedence Clearwater Revival-Cosmo’s Factory

  24. Crosby, Stills & Nash-Daylight Again

  25. Crosby, Stills, Nash & Young-Deja Vu

  26. Christopher Cross-Christopher Cross

  27. Miles Davis- Bitches Brew

  28. Miles Davis - Kind of Blue

  29. Dire Straits-Making Movies

  30. Doobie Brothers-Toulouse Street

  31. Eagles-The Long Run

  32. Electric Light Orchestra-Out Of The Blue

  33. Emerson, Lake & Palmer-Works Volume 1

  34. Melissa Etheridge-Brave And Crazy

  35. Donald Fagen-The New York Rock And Soul Review

  36. Donald Fagen-The Nightfly

  37. Fleetwood Mac-Rumours

  38. Foghat-Foghat

  39. Genesis-Invisible Touch

  40. Hall & Oates-Private Eyes

  41. George Harrison-All Things Must Pass

  42. Head East-Flat As A Pancake

  43. Heart-Dreamboat Annie

  44. John Hiatt-Slow Turning

  45. Hootie And The Blowfish-Cracked Rear View

  46. Bruce Hornsby & The Range-The Way It Is

  47. Indigo Girls-Nomads, Indians & Saints

  48. J. Giles Band-Bloodshot

  49. James Gang-Straight Shooter

  50. Jefferson Airplane-Red Octopus

  51. Billy Joel-The Stranger

  52. Elton John-Goodbye Yellowbrick Road

  53. Rickie Lee Jones-Rickie Lee Jones

  54. Kansas-Leftoverture

  55. Kiss-Dressed To Kill

  56. Mark Knopfler -Shangri La

  57. Alison Krauss-Forget About It

  58. Little River Band-First Under The Wire

  59. The Liz Barnez Band-Inkmarks On Pages

  60. Shelby Lynne-Just A Little Lovin’

  61. Pat Metheny & Lyle Mays-As Falls Wichita, So Falls Wichita Falls

  62. Steve Miller-Book Of Dreams

  63. Joni Mitchell-Hissing of Summer Lawns

  64. Van Morrison – Moondance

  65. New Riders Of The Purple Sage-The Adventures Of Panama Red

  66. Stevie Nicks-Bella Donna

  67. Tom Petty-Damn The Torpedoes

  68. Poco-Legend

  69. The Police-Zenyatta Mendatta

  70. Queen-The Works

  71. REO Speedwagon-Ridin’ The Storm Out

  72. Robbie Robertson-Robbie Robertson

  73. Linda Ronstadt-Simple Dreams

  74. Roxy Music -Avalon

  75. Rush-2112

  76. Sawmill Creek-Wild Western Windblown Band

  77. Bob Seger-Night Moves

  78. Paul Simon-Still Crazy After All These Years

  79. Bruce Springsteen-Born To Run

  80. Steely Dan-Aja

  81. Steely Dan - Gaucho

  82. Steely Dan-Two Against Nature

  83. Styx-Crystal Ball

  84. Cat Stevens - Tea for the Tillerman

  85. Joss Stone-The Soul Sessions

  86. Supertramp- Crime of the Century

  87. Richard and Linda Thompson- Shoot Out The Lights

  88. Toto-Hydra

  89. Traffic-Low Spark Of High Heeled Boys

  90. Trooper-Knock ’Em Dead Kid

  91. Robin Trower-Bridge of Sighs

  92. The Wallflowers-Bringing Down The Horse

  93. Joe Walsh-The Smoker You Drink, The Player You Get

  94. Wings-Band On The Run

  95. Wings-Venus And Mars

  96. The Wonderful Sounds of Female Vocals

  97. The Wonderful Sounds of Male Vocals

  98. Yes-Fragile

  99. Warren Zevon-Warren Zevon

  100. ZZ Top-Tres Hombres

 

This is just for fun. I found a ton of albums off the thread, listed at the top, that I had forgot about. Was hoping to find even more. If you want to participate, cool! If not, please don’t.

I’m by no means expecting everyone to add a list of 100 titles. I thought it was a blast, but did take some time.  I've also had a blast going back and relistening to a lot of these.  Man, I sure missed them.

Play if you want...

 

(This is by no means a final, definitive list. Probably hundreds of more albums await...)

128x128mofimadness

@mahgister I said, “you are speaking with grave authority on matters purely subjective.”   
That’s not “putting a label” on anybody. It’s called, “conversation.”

My bit about people listening to music on phones vs. gear made solely for music reproduction etc. was just a hypothetical scenario I made to prove a point.  
It had nothing to do whatsoever with anything you had previously written.

You somehow took that as being all about you; you took it personally.  
You said I was “putting a label on you.”

It’s called, “conversation.”

This is all very curious behavior. 

You then said I had “limited opinion or understanding.”  
An inexplicable statement, given the content of our exchanges at that point, and, more importantly, uncalled for.

For sure music is not a mere "subjective" mess randomly distributed in all cultures, that we must treat as superficial subjective tastes in a relativistic manner as you suggested ...Those who think so are ignorant thats all..” 

I beg to differ.  
There are zero people on planet Earth that can “prove” one piece of music is “better” than another.  
My friends and fellow musicians (most of my friends are, like myself, professional musicians) know me to be…how should I put it…quick with an opinion.  
Sometimes the intensity of my opinions may be described as virulent.  
I can be pretty caustic.  
I’m also not an idiot and understand that my fancy-shmancy academic talk doesn’t amount to a hill of beans to someone who likes…gosh, I don’t know…Morgan Wallen, for example.
No matter the infallibility of my fluency in music theory, no matter the depth of my understanding of music history, no matter how deep of an understanding of the “nuts and bolts” of music may be, no matter how good at music I am, no matter how persuasive and academically sound my argument may be for the sheer suckiness of Morgan Wallen, it ultimately amounts to a hill of beans to the person who absolutely loves Morgan Wallen.  
It would result in a statement no more a “fact” than saying, “pizza is better than hamburgers.”

“Commercial music is not yoruba drumming... The content is not the same at all.... The experience is not the same at all”.  
According to whom?  
Again, not a fact.

The one reference to empirical fact you have made, your reference to the science that exists to support the idea that music can be physically therapeutic…that remedial listening may be just as effective via Morgan Wallen or BTS as Bach, depending on the person.  
Inform yourself before you put a label on me.”  
Classy dude, this mahgister fellow.

 

I have no patience with someone who instead of reading my post and trying to understand my argument put words in my mouth...I am not perfect... 😊

My posts were never about the value of my tastes against the value of your taste or against everybody tastes..

Our tastes are our ENTRY door into music ... They are the starting point of our journey they are not our tombstone... Our limitations (tastes) because tastes are also limitations must not be obstacles and justifications of our own ignorance..

i never claim that a piece of music is inferior to another one , and yoruba drumming is not inferior or superior to 17Th century folk music or to Bach compositions...

IS IT CLEAR FOR YOU ?

I said that the rooting and grounding of music in the body/brain and in Nature, the history of music over millenia transmitted in what we called TRADITIONS delimited what is OBJECTIVE VALUES about music...

Commercial music born after Bernays marketing methods MAY lack these interesting growing roots to an extent that some of our "tastes" about commercial music may be too superficial...

I claimed that commercial marketed music is SOMETIMES inferior to any musical forms in human history , by the definition itself of commercial music : a commercial product IMPOSED by artificial conditioning ...

Then i never said that Pygmies music which is rooted as Bach music in an history and in the playing and acting Body/brain in a socially grounded context are inferior or superior...

A.I. produced music so interesting it will be will not be created by musician inhabiting a body and a cultural history... This ring a bell ?

I am not patient with you because you tried to put your words in my mouth...

 

Then inform yourself... You say that you dont attack me , this is false, you tried to twist my observations to suit your subjective relativism...

For example :

“Commercial music is not yoruba drumming... The content is not the same at all.... The experience is not the same at all”.
According to whom?
Again, not a fact.

 

Sorry to inform you that science , art, and litterature, and societies are about VALUES, and none of this values are equal... Music created to entertain people in an escalator or used in a commercial mall is not the same as a musical jazz event ...Distinguishing is not condemning.... It is thinking...

Again my post is not about naming names of commercial products to discredit them...

This will be not only stupid, because conmmercial product are also created by embodied musicians coming from their own cultures...

As i said the borders separating "commercial consumerist products" from genuine cultural products is not a clear line ... it is a CONCEPT... This concept is necessary to distiguish music coming from a cultural history with his specific language and and from a human body , distinguishing it from at the other extreme : A. I. created commercial music with no ORGANIC roots in the human body nor in the human real living history...

Is it clear enough?

Or do you maintain that all is equal and relative, our tastes are absolute judges, and our understanding must be stop and lay dormant with our uneducated tastes ?

Myself I dont think so because of these OBJECTIVE facts... About body/brain/soul and cultural history of consciousness...

Calling me "unclassy" and someone who spoke "fancy-shmancy academic talk" will not help you...

And Dont put your arguments in my mouth...

Accusing people of being ELITIST is a tactic i dont appreciate... Elite exist by the way and must be recognized... they must not be imposed and in this we can be in agreement at the condition to respect the existence and concept of elite and not reducing it to relativistic nihilism ...

I dont critic people about their tastes, i critic people who stick to their mere tastes as a rule... or WORST i oppose people who for the sake of their own tastes impose a void relativistic perspectives upon us all ...

Music is a cosmos not a children bathroom for the leisure of workers in their after hours ...It is way more than a hobby... Am i clearer ?

And dont come back saying that i despise workers who relax with their tasteful musical choices each evening with "commercial" product...

I relax too...

But i think too between relaxations...

 

 

 

 

 

 

 

A post I thought originally might be fun has gotten way far away from that end.  

 

Yoruba drummings explained...

https://www.youtube.com/watch?v=AHFIJZm2dzw&t=912s

Yoruba drummings by a master :

https://www.youtube.com/watch?v=B4oQJZ2TEVI&t=11s

It show how music is grounded in Society, in history, in biology and in Nature...

Music is not about "tastes"... It is about life...

Another of my "tastes" choice for a list :

One of the great Turkisch master of oud , Necati Çelik..

All Jimi Hendrix fans as i am  will love it too...😊

 

https://www.youtube.com/watch?v=FElmnfSSQ_g&list=OLAK5uy_mX8N44jggln4Jd0AekKJ_g7BPyi35xxJM