100 Albums You Would wish for...from a Genie


This thread was inspired by this thread:

https://forum.audiogon.com/discussions/building-a-100-album-vinyl-collection-3-must-have-albums-are

Please add to the above list. Thanks!

 

Okay, here is my premise for this:

I find an very odd, really old record in the $.99 cent bin in the back corner of some old, dusty record store. I pull the LP from the sleeve and a Genie appears. He says I can have any equipment/gear I want. Speakers, amp, preamp, etc. Just name it, (mbl Master Reference System and a custom room for it please.)...

...but, I can only have 100 albums forever to play on it. No "Best Of" or "Greatest Hits". No Box Sets or Compilations. Soundtracks are fine if original score, no Compilations. Double and Triple LP’s count as one album. (This Genie was very detailed in his instructions. He kinda looked like Donald Fagen).

 

What 100 albums would they be?

(I know I fudged on a rule or two, on a few of mine).

 

  1. Allman Brothers-Idlewild South

  2. Amazing Rhythm Aces-Too Stuffed To Jump

  3. April Wine-Harder, Faster

  4. Atlanta Rhythm Section-Red Tape

  5. Bad Company-Straight Shooter

  6. The Band-The Last Waltz

  7. The Beatles-Abbey Road

  8. The Beatles: Rubber Soul

  9. Jeff Beck-Live At Ronnie Scott’s

  10. Blackberry Smoke-The Whippoorwill

  11. Blackfoot-Strikes

  12. Karla Bonoff-Restless Nights

  13. Boston-Boston

  14. Jackson Browne-Late For The Sky

  15. Jimmy Buffett-Songs You Know By Heart

  16. Charlie-Lines

  17. Chicago-Chicago Transit Authority

  18. Eric Clapton-461 Ocean Boulevard

  19. Eric Clapton-Slowhand

  20. Marc Cohn-Marc Cohn

  21. Shawn Colvin-Fat City

  22. Cowboy Junkies - The Trinity Sessions

  23. Creedence Clearwater Revival-Cosmo’s Factory

  24. Crosby, Stills & Nash-Daylight Again

  25. Crosby, Stills, Nash & Young-Deja Vu

  26. Christopher Cross-Christopher Cross

  27. Miles Davis- Bitches Brew

  28. Miles Davis - Kind of Blue

  29. Dire Straits-Making Movies

  30. Doobie Brothers-Toulouse Street

  31. Eagles-The Long Run

  32. Electric Light Orchestra-Out Of The Blue

  33. Emerson, Lake & Palmer-Works Volume 1

  34. Melissa Etheridge-Brave And Crazy

  35. Donald Fagen-The New York Rock And Soul Review

  36. Donald Fagen-The Nightfly

  37. Fleetwood Mac-Rumours

  38. Foghat-Foghat

  39. Genesis-Invisible Touch

  40. Hall & Oates-Private Eyes

  41. George Harrison-All Things Must Pass

  42. Head East-Flat As A Pancake

  43. Heart-Dreamboat Annie

  44. John Hiatt-Slow Turning

  45. Hootie And The Blowfish-Cracked Rear View

  46. Bruce Hornsby & The Range-The Way It Is

  47. Indigo Girls-Nomads, Indians & Saints

  48. J. Giles Band-Bloodshot

  49. James Gang-Straight Shooter

  50. Jefferson Airplane-Red Octopus

  51. Billy Joel-The Stranger

  52. Elton John-Goodbye Yellowbrick Road

  53. Rickie Lee Jones-Rickie Lee Jones

  54. Kansas-Leftoverture

  55. Kiss-Dressed To Kill

  56. Mark Knopfler -Shangri La

  57. Alison Krauss-Forget About It

  58. Little River Band-First Under The Wire

  59. The Liz Barnez Band-Inkmarks On Pages

  60. Shelby Lynne-Just A Little Lovin’

  61. Pat Metheny & Lyle Mays-As Falls Wichita, So Falls Wichita Falls

  62. Steve Miller-Book Of Dreams

  63. Joni Mitchell-Hissing of Summer Lawns

  64. Van Morrison – Moondance

  65. New Riders Of The Purple Sage-The Adventures Of Panama Red

  66. Stevie Nicks-Bella Donna

  67. Tom Petty-Damn The Torpedoes

  68. Poco-Legend

  69. The Police-Zenyatta Mendatta

  70. Queen-The Works

  71. REO Speedwagon-Ridin’ The Storm Out

  72. Robbie Robertson-Robbie Robertson

  73. Linda Ronstadt-Simple Dreams

  74. Roxy Music -Avalon

  75. Rush-2112

  76. Sawmill Creek-Wild Western Windblown Band

  77. Bob Seger-Night Moves

  78. Paul Simon-Still Crazy After All These Years

  79. Bruce Springsteen-Born To Run

  80. Steely Dan-Aja

  81. Steely Dan - Gaucho

  82. Steely Dan-Two Against Nature

  83. Styx-Crystal Ball

  84. Cat Stevens - Tea for the Tillerman

  85. Joss Stone-The Soul Sessions

  86. Supertramp- Crime of the Century

  87. Richard and Linda Thompson- Shoot Out The Lights

  88. Toto-Hydra

  89. Traffic-Low Spark Of High Heeled Boys

  90. Trooper-Knock ’Em Dead Kid

  91. Robin Trower-Bridge of Sighs

  92. The Wallflowers-Bringing Down The Horse

  93. Joe Walsh-The Smoker You Drink, The Player You Get

  94. Wings-Band On The Run

  95. Wings-Venus And Mars

  96. The Wonderful Sounds of Female Vocals

  97. The Wonderful Sounds of Male Vocals

  98. Yes-Fragile

  99. Warren Zevon-Warren Zevon

  100. ZZ Top-Tres Hombres

 

This is just for fun. I found a ton of albums off the thread, listed at the top, that I had forgot about. Was hoping to find even more. If you want to participate, cool! If not, please don’t.

I’m by no means expecting everyone to add a list of 100 titles. I thought it was a blast, but did take some time.  I've also had a blast going back and relistening to a lot of these.  Man, I sure missed them.

Play if you want...

 

(This is by no means a final, definitive list. Probably hundreds of more albums await...)

128x128mofimadness

Showing 40 responses by mahgister

"Super revealing gear" is not necessaraly a true qualitative system ....

True audiophile system/room make any recording better even the bad recording...

Many confuse details and bright...

Natural timbre sound  is the mark of a great system not  "details" coming from brightness...

Acoustics basic...

Everything sound better in a well optimized and well embedded system...

If not, there is a synergy problem or perhaps an acoustic factor not well done...

Everything sound good in my 2 system even the worst recording ... They sound better than they ever did...

Then..........

 

One of the reason for this "problem" is that many audiophile confuse musical natural sounding system with "more detailed" one and especially brighter one...

 

One real "problem" for me is that a fair amount of my favorite music was recorded "indifferently" or worse. And if a system is a little "too good" (i.e ruthlessly revealing), those kind of recordings may become somewhat unpleasant to listen to.

For sure you are right... Most audiophile love music...

It is why i agonized and dreamed about a good audiophile sound all my life ....

With no money but worst, no idea how to create one with no money...I learned it really after my retirement 7 years ago...

The problem ( i must say here that i am a classical-jazz-world music traditions-purist) the pr9blem is most audiophile did not know how to create an audiophile experience at low cost using acoustics , mechanical and electrical basics...

Then they obsess with sound ... They become dependant of their purchase not of their acoustic experience and experiments when they pose a judgement... What a serious audiophile here can think about 4 inches speakers box paid 100 bucks and modified by me ? Do you think that he can judge this an "audiophile" system ... Myself i judge it audiophile quality because of my aqcoustics modification , electrical one and even mechanical modification of the speakers box.. My sound is extraordinary... For sure i dont have a sub but i dont need one anyway... If i say how i created an extended bass and a better soundstage , "audiophiles" will laugh at me BY IGNORANCE...I did it with straws simple materials... I created an acoustic corner too... My soundfield is so good that it is better than most headphones , and my only one headphone beat most speakers in a living room...

Total cost 700 bucks...

 

This is why even if your other post alternative between 1,000 bucks sytem and 10,000 music or the reverse had no real meaning as serious alternative it means something about "audiophiles"...And it is why you used it ...

I am also an audiophile but not obsessed with sound because i learned how to create a good experience by myself not by purchasing .then i never entered into the upgrading wheel....

 

Acoustics basic science  matter not the design specs of the newest costlier last product hyped by most... 😁

 

@mahgister: All taken in the spirit it was offered!

Another factor that muddies the water in the matter of music lover vs. audiophile is the fact that the better the system, the deeper one is able delve into the music itself, not just enjoy the sound of it. I mean c’mon, music IS sound. The two are inextricably joined at the hip, so to speak.

That’s why being an audiophile in not antithetical to being a music lover. THAT’S what the rabidly anti-audiophile crowd (mostly Classical music purists in my experience) doesn’t seem to understand, or at least want to accept as true.

Your dilemmas or alternatives expose the problem with us audiophiles...

Because i consider being one if i dream about good sound all my life but never succeeded to create it till i seriously begun 12 years ago...

I only succeeded in the last few years...

First with speakers /acoustic room and second after selling my house a smaller headphone rig...+ smaller speakers...

 

I succeeded to reach audiophile level 2 times then ...

Then i learned enough to know that your opposition make no sense because i am also a music lover... Money invested in music exceed by much the money invested in rig in my case...

My total cost for my 2 system was ALWAYS under 1,000 bucks...

700 dollars now... I tried to upgrade 2 weeks ago with an investment of 1000 bucks for an a tube amp of great recognition and value but i returned it after 1 hour of trial for a refund...It was evident that one of the best tube amp was worst than my vintage S.S. Synergy matter yes, and the fact that some vintage S.S. are tube like is evident for me now..

This means how my actual system is already very hard to upgrade because it is already a top one with no EVIDENT disturbing faults in the acoustic perceived factors... I was being able to tune my acoustic room by myself and tuning my 100 resonators then i am not deaf and with a hearing of a very healthy man for his age...

 

Audio is based on basic knowledge and not at all on price tag... Those who think otherwise had forgottent long time ago by obsessive behaviour what are the basic of acoustic and how to use them and they are oblivious of the Ratio S.Q./ price of past high end top products...

My actual amplifier i failed to upgrade it and i cannot upgrade my headphone anyway even if i would have the money without many, many trials and frustration , because they are a unique exceptional design in all headphone history never done anywhere in the last 45 years ...

Then what ?

Any man with a working mind will pick a low cost system which he will wisely choose for a low money cost and keep most of his money for music...

The reverse is preposterous...😁

My situation is exactly what you describes:

700 bucks audio rig+ 10,000 musical albums..

i will die instead of picking the ridiculous reverse choice...

Then your alternatives reflect misunderstandings, not the audiophiles nor the music lovers situation which are the same person in most of us..

😊

Dont take it personal...I know you know already all of what i spoke about...

I know you were half  joking  and making  a sarcastic proposition... Then i take your post to describe my experience...Because some act exactly in the preposterous way you described in your alternatives...

I wish you the best with my heart...

 

If the genie gave us the choice of a $10,000 system and 1,000 albums versus a $1,000 system and 10,000 albums, which would each of us choose? That would really separate the audiophiles from the music lovers. 😉

Very interesting suggestions... Especially about the japanese jazz scene... I did not remember your very first posting as you said i was busy answering ... 😊

Read my prior post, Mr Vertinsky in case you’ve missed being very busy about Vertinsky plz.

Then instead of throwing sarcasm ....because i suggested mine with my own takes in many posts i like saying why i picked them , anything interesting to say about music in the japan jazz scene?

I like it too because japan musician seems to plays with a soul of their own... I listened a lot of them in the last year... Anyone less well known i must listen to ?

 

By the way i never answered a poster here by insults or sarcasm ONLY and MERELY WITHOUT arguments about the thread matter... It is my habit to discuss with arguments about a question... Mere sarcasm about people is useless if there is no meat around the bones...I prefer to gave positive opinion about people than the reverse...But i answer to those who prefer the opposite...😊

Why not using our brain with our mouth...

I am not Mr. Vertinsky...I admired him and like this photo expressing distress,sadness, but resilience in this world... Clowns are professionals...

OH! yes my ego is there too much sometimes, but if you trail me you will discover that i try to gave more positive than negative to people...

In the meantime thanks in advance for a recommendation about the jazz japan musical scene...

 

It is a thread where you must suggest your musical 100 albums...

If you had something to suggest go...

you have the right ...

But one hundred suggestions ask for many posts...

Then this thread is not about me nor about any other idiots😊 as you and me, but about suggestions and also explanations...

Go instead of throwing one line post exclamation without any content...

Oh maannn!! It really seems that music is really about Vertinsky!!

Music is about the power of the human voice...

Orpheus had gone to hell and came back by the power of his voice and music...

Music is about objective facts not about our tastes...

Try this about Octavist voices:

 

What is a bass profundo and an  octavist voice:

 

https://www.youtube.com/watch?v=5B9LREuIa4I

 

How it sing transporting the chorus on his back as a light backpack or as a boat separating the waves:

https://www.youtube.com/watch?v=YJWihxRM9bU

 

Your taste dictate to you that you dont like much Japan music...

You are wrong...

😊

Everybody like poetry...Even when he does not know it yet...

listen to this few minutes each week.... In less than a year it will be among your favorite...

We dont know what we will like the most  yet because we dont know ourself...Our attention is over there without us...

Why?

Music is a stuff made only of pure attention and pure awareness...

https://www.youtube.com/watch?v=ayNhc8_oSs8

 

What now music is all about?

It is about awakening the spirit in the dead or in the living body...

 

Two masters here suggested how to let it happen by opening ourself to the irrepressible FLOW  of joy and energy  which is life itself emerging ...

my first persian music album and one of the best ever  by Ostad Elahi a mystic sufi who only play to pray and was recorded by his disciples :

https://www.youtube.com/watch?v=vuTVYcLDq9c

Now the same irrepressible energy perceived by Beethoven :

https://www.youtube.com/watch?v=KDpDwZZA248

 

Music is about objective facts perceived by the soul in itself as in the cosmos...

This had nothing to do with my tastes or yours ...

Music is about the cosmos and about Nature as seen by man...

Not about consumers tastes ....😊

The more visionary the music is the more valued it may be...

 

Two different culture but the same visionary perspective on Nature in his own specific way...

 

https://www.youtube.com/watch?v=IRMxLwOfKGQ

https://www.youtube.com/watch?v=k2RPKMJmSp0

Music is about musicians not about our tastes first and last...

Here two completely unrecognized geniuses from the jazz world , geniuses as musicians first and not as mere jazz man... Giants ...

Rahsaan Roland Kirk

https://www.youtube.com/watch?v=ZIqLJmlQQNM

 

Sun ra :

https://www.youtube.com/watch?v=ovUUlNkcbpY&list=PLnQJF3Qi_4_BD5c99vxEP36ulwJapmdnS&index=4&t=145s

Music is about geniuses where we discover them why and when ...

Music is not about our mere tastes...But about our discoveries out of our tastes starting line...

A genius here Kaikhosru Sorabji

https://www.youtube.com/watch?v=cCs0YeBOmOQ

Another genius it seems, Elliott Carter...

https://www.youtube.com/watch?v=MArB2OrLeSc&list=OLAK5uy_lIDYwOBZFmJNHqXcVgeC3xdeUQYcqbqlQ

 

I didn’t suggest anyone listen to anything from my list 😉

Being less timid than you i myself strongly suggest to listen to my list...

😉

You already answered yourself to your own question...

A mantra, a devotional song, is not about esthetic , it is more about efficient power to put the mind in a trance state or in another level of attention...

It is more about medecine and ethic than pure esthetic...

Music is more about Power to heal than just about our consumers  tastes in esthetic...

https://www.youtube.com/watch?v=2AGyrEV_ze0

https://www.youtube.com/watch?v=Tmxb51FFvRQ

https://www.youtube.com/watch?v=yzhCFO13Q-o

 

There remains at least one aspect that confuses me. When you say :

Music is not ALWAYS about esthetical tastes...It is way more...

How do you separate the "esthetic" from the "more" ? Do you view this in terms of which chakras a given musical piece activates... or?

The first song i ever listen was sing to me by my father...

This album remind me of innocence ...

It is one of my favorite persian  album:

https://www.youtube.com/watch?v=nc-CUbs4MW0&t=254s

Music is about Madness too...

music can be madness ...

here two different forms  the first is sarcasms and pirouettes:

https://www.youtube.com/watch?v=FpzW7RH0cgY

Or it can be about compulsive obsession :

https://www.youtube.com/watch?v=r30D3SW4OVw

https://www.youtube.com/watch?v=VErKCq1IGIU

 

Music is about a lost past , a forgotten one which can reappear in our own memories (reincarnation exist )

Peter Pringle is a popular singer who let fame and money long ago and dedicated his days to ancient languages, musical ancient instrument reconstruction  and pure music born from the relation between cosmos  and the body...

A bard like Bob Dylan but ressuscitated from an ancient past...

https://www.youtube.com/watch?v=dDRD3c-WAec

https://www.youtube.com/watch?v=QUcTsFe1PVs

Music is also about Pure Joy ...

Only pure uncorrupted joy...

Listen to it here with Hildegard de Bingen and with the Pygmies choral:

Same human soul, same music from two different worlds...

https://www.youtube.com/watch?v=Ei88J4lERbk&t=203s

https://www.youtube.com/watch?v=rnogT0JsJJ0&t=829s

Now the primal rythm of creation in two expressions very different one :

One is the australian aborigenal rythm...

The other is the pure mathematical expression in sounds of the prime numbers distribution which is the cosmic ground itself...

Music is about cosmic rythms aspects perceived by us ... Not about mere  tastes...

Creation music :

https://www.youtube.com/watch?v=TAcH8TNkWOQ

Distribution of primes music created by one of the great living mathematician from the primes:

https://www.youtube.com/watch?v=oBArTv71Edk

 

 

I was always fascinated by the power of human voice...

Here we can listen a female voice putting a complete metal orchestraq in the background by his strong expressiveness power and content  alone...

I dont like particularly metal... But there is revelation eveywhere even in metal music...

Music is not about our tastes...

music is about real power in the cosmos....

https://www.youtube.com/watch?v=8SeYqDDMTX0&t=1542s

Now listen to this

Charles Ives  "the unanswered question"...

https://www.youtube.com/watch?v=8tNA_DbpJjU

 

And for those who think that there is no more in music that a question about tastes listen to the explanation  and analysis about this 6 minute work composition  ...

https://www.youtube.com/watch?v=IEAa_MH0iCw&t=257s

I will quote here the first commentator under this youtube channel  rendition , one of the best of one of the greatest Choral Work Of  visionary Bruckner :

«The last performance of Bruckner's TE DEUM ,which Bruckner himself attended, was conducted by Richard von Perger at the suggestion of Johannes Brahms. On his copy of the score, Gustav Mahler crossed out "für Chor, Soli und Orchester, Orgel ad libitum" (for choir, solos and orchestra, organ ad libitum) and wrote "für Engelzungen, Gottsucher, gequälte Herzen und im Feuer gereinigte Seelen!" (for the tongues of angels, heaven-blest, chastened hearts, and souls purified in the fire!). The composer himself called the work "the pride of his life".»

https://www.youtube.com/watch?v=KeYuPPP1-Qw

 

Music is about each times of the day...It is about cosmic tidal rythms...

It has nothing to do with our tastes here... 😊

My favorite album of Sarangi... One of the very hard instrument to learn ...

Inimitable singing voice of a musical event...

https://www.youtube.com/watch?v=7wYXEY4htDA

Music is not about tastes...

Music is about real life poetry...As in the Yoruba talking drums...

There is many ways to "talk" ...

https://www.youtube.com/watch?v=mFCCDs7xOkA

 

I am fascinated by the expressive depth and intensity reach by the Murderer Prince of Venosa Carlo Gesulado and his musical genius..

His tortured music with almost modern accent is the perfect expression of a tortured and devored consciousness in a purgatory of his own...

His music is like a set of flames....

Unique in musical history...

My favorite interpretation favor the emotion content translation instead of accentuating the esthethic aspects for their own sake...

Here too music is about death and life and not a mere distraction....

https://www.youtube.com/watch?v=d8iBHVvWxCA&list=PL-z1Tx-3D_SeCkavLkULXYDznGJA1JCzn

Now the greatest protest song ever written after "strange fruit" by Billie Holiday...

Bob Dylan is a bard of homeric times reincarnated...

Music is not about our tastes it is about our life...

https://www.youtube.com/watch?v=3NbQkyvbw18

Another of my "tastes" choice for a list :

One of the great Turkisch master of oud , Necati Çelik..

All Jimi Hendrix fans as i am  will love it too...😊

 

https://www.youtube.com/watch?v=FElmnfSSQ_g&list=OLAK5uy_mX8N44jggln4Jd0AekKJ_g7BPyi35xxJM

 

Yoruba drummings explained...

https://www.youtube.com/watch?v=AHFIJZm2dzw&t=912s

Yoruba drummings by a master :

https://www.youtube.com/watch?v=B4oQJZ2TEVI&t=11s

It show how music is grounded in Society, in history, in biology and in Nature...

Music is not about "tastes"... It is about life...

I have no patience with someone who instead of reading my post and trying to understand my argument put words in my mouth...I am not perfect... 😊

My posts were never about the value of my tastes against the value of your taste or against everybody tastes..

Our tastes are our ENTRY door into music ... They are the starting point of our journey they are not our tombstone... Our limitations (tastes) because tastes are also limitations must not be obstacles and justifications of our own ignorance..

i never claim that a piece of music is inferior to another one , and yoruba drumming is not inferior or superior to 17Th century folk music or to Bach compositions...

IS IT CLEAR FOR YOU ?

I said that the rooting and grounding of music in the body/brain and in Nature, the history of music over millenia transmitted in what we called TRADITIONS delimited what is OBJECTIVE VALUES about music...

Commercial music born after Bernays marketing methods MAY lack these interesting growing roots to an extent that some of our "tastes" about commercial music may be too superficial...

I claimed that commercial marketed music is SOMETIMES inferior to any musical forms in human history , by the definition itself of commercial music : a commercial product IMPOSED by artificial conditioning ...

Then i never said that Pygmies music which is rooted as Bach music in an history and in the playing and acting Body/brain in a socially grounded context are inferior or superior...

A.I. produced music so interesting it will be will not be created by musician inhabiting a body and a cultural history... This ring a bell ?

I am not patient with you because you tried to put your words in my mouth...

 

Then inform yourself... You say that you dont attack me , this is false, you tried to twist my observations to suit your subjective relativism...

For example :

“Commercial music is not yoruba drumming... The content is not the same at all.... The experience is not the same at all”.
According to whom?
Again, not a fact.

 

Sorry to inform you that science , art, and litterature, and societies are about VALUES, and none of this values are equal... Music created to entertain people in an escalator or used in a commercial mall is not the same as a musical jazz event ...Distinguishing is not condemning.... It is thinking...

Again my post is not about naming names of commercial products to discredit them...

This will be not only stupid, because conmmercial product are also created by embodied musicians coming from their own cultures...

As i said the borders separating "commercial consumerist products" from genuine cultural products is not a clear line ... it is a CONCEPT... This concept is necessary to distiguish music coming from a cultural history with his specific language and and from a human body , distinguishing it from at the other extreme : A. I. created commercial music with no ORGANIC roots in the human body nor in the human real living history...

Is it clear enough?

Or do you maintain that all is equal and relative, our tastes are absolute judges, and our understanding must be stop and lay dormant with our uneducated tastes ?

Myself I dont think so because of these OBJECTIVE facts... About body/brain/soul and cultural history of consciousness...

Calling me "unclassy" and someone who spoke "fancy-shmancy academic talk" will not help you...

And Dont put your arguments in my mouth...

Accusing people of being ELITIST is a tactic i dont appreciate... Elite exist by the way and must be recognized... they must not be imposed and in this we can be in agreement at the condition to respect the existence and concept of elite and not reducing it to relativistic nihilism ...

I dont critic people about their tastes, i critic people who stick to their mere tastes as a rule... or WORST i oppose people who for the sake of their own tastes impose a void relativistic perspectives upon us all ...

Music is a cosmos not a children bathroom for the leisure of workers in their after hours ...It is way more than a hobby... Am i clearer ?

And dont come back saying that i despise workers who relax with their tasteful musical choices each evening with "commercial" product...

I relax too...

But i think too between relaxations...

 

 

 

 

 

 

 

I am not born with a taste for the Chinese erhu music nor for the Japan koto...

Any music must be LEARNED....

And love sometimes come when we are ready...

This does not m,eans that i will necessarily love Elliot Carter the way simonmoon argue for his greatness... But simonmoon AWAKE what perhaps will be called my ignorance tomorrow...

Thanks to him...

 

I never cease to love my innate taste musical choice : choral music all my life... ( not opera that i learned how to appreciate much , much later )

But i learned to appreciate all other music culture and styles ( not so much commercial music ) i did not love so much at first or not at all some music  BY IGNORANCE and LACK OF ATTENTION... I prefer to  the actual  pop commercial music his old roots in folk songs in England for example... By the late Alfred Deller for example...It is my tastes here... 😊

https://www.youtube.com/watch?v=s0UZ3vvsfBI&list=PLiN-7mukU_RGQqxsWaJg7M94p1aTSJ4Hm

 

 

It is normal to have preferences, it is ignorance to reject all the rest for all our life...

That was my point...

i will try Elliott Carter as suggested by simonmoon... I will go slowly because it is not my "taste"... But i will LEARN something and sometimes miracles happen, and our mind open to new unsuspected possibilities...

This is music experience for me... Not only confort, relaxation, feeling, thinking, but the will to go where no one bodly goes... 😊

I never listen any jazz when young nor pop... I learned a lot with trying to understand jazz in the last 20 years...

 

 

 

I related to these not as "music for listening" but due to their strong emphasis on the vibrational aspect as a means of elevating consciousness, more as mantra or bhajan and in so doing, the question of esthetics/taste receded into the background.

 

I thank you for your post... You are very sensible astute man and you get my point completely here thanks very much ...

Music is not ALWAYS about esthetical tastes...It is way more...

Polyphonic pygmies songs act the way Mantras do and Bajhans do and i love very much all of them ...

Here our soul speak... It is way more than just "music taste"... Sacredness exist too...

https://www.youtube.com/watch?v=rnogT0JsJJ0&t=1311s

 

That person emitting “music” from the onboard speaker of their cell phone in a sonically cacophonous environment (airport, busy urban bus stop, shopping mall, etc.) is experiencing music in a way that is just as valid as you or I listening to music in an immaculately engineered listening room with the highest quality equipment in the world.
As disagreeable, perhaps even vile I find the former’s behavior to be, as antithetical to music appreciation as I find that behavior to be, I don’t get to “tell” them “what music is.” Perhaps I may muster the gumption to politely ask them to use headphones out of respect to the thousands of other humans around them, but my personal feelings about what music “is” are my own.
They are not “facts.”

 

 

First i dont know about which post of mine you talked about ?

I never suggested and spoke HERE about people listening Bach or Beatles on a cell phone as inferior to audiophile with acoustic room ...

I said listening music as hearing sounds must be LEARNED not only by babies and children growing but even by us adults... THATS IS A FACT...

Then dont put in my mouth your own limited opinion or understanding or prejudices ...

Kafka is better than harlequin books in LITTERARY VALUE but i dont judge people liking harlequin by saying so... did you understand ? The reason is simple, we must all learn and grow... Myself included... i already say that in my discussion with simonmoon who put something interesting in motion ... I dont pretend to any authorithy, but this dont means that i am a total ignorant either ..

 

We are humans that experience music.
Is that something we can agree on?

If the answer is yes, then not even Ludwig Van Beethoven himself can “tell” me, or you, or anyone, what music “is” with absolute authority.

You are speaking with grave authority on matters that are purely subjective.

For sure music is not a mere "subjective" mess randomly distributed in all cultures, that we must treat as superficial subjective tastes in a relativistic manner as you suggested ...Those who think so are ignorant thats all...I apologize to say so but i say it... It is MY OPINION HERE...

Pygmies Polyphony and Bach polyphonies has something in common : they express something very deep about the spirit and grounded in history... This is A FACT not my opinion... The taste of someone liking  Bach and pygmies polyphonies or not dont change  THE FACTS....

Music is based on the body/brain/ throat/heart/soul/ etc music is ROOTED in the human metabolism and music is grounded  in the way human related to each other and communicate and perceive the world...THIS IS OBJECTIVE FACT....

Then it is not mere" subjectivity"...This is the starting point to understand the VALUES  of the different manifestation of music... Commercial music is not  yoruba drumming... The content is not the same at all.... The experience is not the same at all ... The goal and the richness is not the same at all... Each one of us we had our "tastes"...But they dont matter at all here... 

There is an objective grounding in the physical and spiritual BODY...Music is not  only a mere  hobby here music is not  only a mere commercial enterprise ...Sorry...

Perhaps for you it is a mere hobby and a product to consume following our "tastes"... It is more for me and it is more  for those who studied music and philosophy of music ...And i am one even if i dont claim any authorithy as you LABELLED ME ... I discussed with simonmoon and we tried to understand each other , imitate him instead of cornering me and putting something in my mouth...

Music is not only a deep therapeutical means, WHICH IS ALSO AN OBJECTIVE FACT and this is an OBJECTIVE fact too: it is also, even if you ignore it, the vehicle of human consciousness as manifested in certain way in all cultures...

In face of all these deep objective facts, saying that all is about "tastes", and consumers choices is not only childish and preposterous, it is useless as an opinion HERE in this discussion ...

And yes i can speak seriously on this matter, i never pretended to any authority, but i object and it is my opinion , i object to superficiality and relativism and consumerism  ...

Music is not mere subjectivity , no more than sound is just a mere subjective phenomenon... I can demonstrate why but it will take too much place...😊

Inform yourself before put a label on me ...

 

 

 

I will add that we are in the same situation with the question of what a "sound" is...

There is no scientific consensus about sound and hearing... what is a sound perceptive quality and information and how we access it ...

There is no practical definition for “music” other than “created sound.”

We know though a little bit more than what you just said here... This is your opinion indeed but not a fact...

First one thing is sure, music created by man is a "sound" production related to the human body/brain/ears ... This is not my opinion here... But a fact...

Then there exist a root of this created "sounds" in the human body...Music and language are born together and are coming from the same root which is the body tripartite basic systems.. ...This is also a fact...

Must i add that this is my opinion to calm you ? ... 😊

Music is not about our taste only , music must be learned the same way in which we must learn how to act our body , that was one of my point; then there exist some different music with different healing and informative power...All is not purely relativistic and about our given "tastes" here as you seems to suggest ... Music grounded in a tradition has not the same value for me than commercial music... And yes the line delimiting them is not clear at all... This is a fact and also an opinion here... 😁

Sorry but there is a value hierarchy that cannot be imposed but is easily spotted by musicians learning their trade... A yoruba drummer for example know this, he know the difference between meaningful rythm which "speak" and rythm which did not "speak" in his language ...

https://www.youtube.com/watch?v=YZOg4xIiulw&t=741s

https://www.youtube.com/watch?v=B4oQJZ2TEVI&t=7s

( the best book on music i read is about yoruba drum and sound perception and meaning by the way ) 😋

 

 

As in litterature, harlequin litterature is not Dostoievsky or Mark Twain...

i will add that is is my opinion for sure ...

Who s opinion could it be ? mine...

is it the absolute truth ?

No...

But i bet i am not alone here with this OPINION.... 😊

 

In litterature as in music we MUST LEARN how to understand and appreciate, because our innate taste means little, it is a beginning not an end ...Comic books are not Kafka...

By the way each musical traditions contains an history of consciouness through the way the spirit/body relate to sound in a specific way , extending in millenia sometimes...It is a fact not my opinion ...

Do not say then that in your opinion, all opinions about music are equal, because they are not...

No more in music than in litteratrure and science.... Music is not only a consumers leisure tasteful choice... It is way more IN MY OPINION... 😊

Again, beyond “created sound,” there is virtually no practical definition for what music “is” or what it “is about.”

 

By the way my statements are not " erroneous" they are incomplete .... Calling them "my opinion" or not had nothing to do with their POSSIBLE meaning has you suggested in your own unsatisfying and at the end erroneous relativistic perspective...

Music express sacredness and values not only esthetical arbitrary meaningless choice as a consumer purchasing a product instead of another...

 

Music also contain a part of our consciouness history which is hidden in sounds and rythms...

This is why all musical traditions of the world matter and why we must learn from EACH OF THEM... This has nothing to do about tastes...

@mahgister Quick fix:
Qualifying statements like,
- “music is about visible architecture and rhythmical times
- “music is not about tonality versus atonality
- “music is about feeling, willing and thinking”
- “in serialism music is disconnected of the natural rhythms of human metabolism

with a simple statement of “in my opinion,” or “in my experience” cures such statements of their erroneousness.

First we cannot replace our musical tastes favorites by other musical choices , especially for example in classical vocal music if we dont like it in general...

Second we must stay open heart and listen to some one dat that can open this closed door for us which is vocal classical music... No doing so this new vocal classical music will not change our basic tastes... They will only improve it by enlarging our scope and deepening our relation with our innate tastes choices...

Third we cannot learn how to listen to "sounds" which are annoying for us...But in all the vocal classical there is songs thar are in now way exagerately annoying... Miracles of naturalness exist... Miracles of expressions that transcend vocal classical to manifest the art of pure expression and not mere singing even beautifully...

I will give 2 examples...

If you dont cry listening that you need a heart...It is no more singing...Because she pray really, she dont merely sing...

https://www.youtube.com/watch?v=v7K2hJBzTm0

The number of singers able to sing like this are more numerous in heaven than on earth 😊

Now the same in his prime younger years :

https://www.youtube.com/watch?v=GksRp42s3S8&list=RDGksRp42s3S8&start_radio=1

Deep river:

https://www.youtube.com/watch?v=2bytFrsL4_4

Crucifixion:

https://www.youtube.com/watch?v=XiFEOhZ8Jb4

MarIan anderson never studied too much formally and being black opera and lied singer goes up to the top of the world by his voice power alone ...

She can sing ANYTHING, jazz, spirituals, operas, lieds or Bach and be the best there is... It is my favorite singer.... I was shoked when i listened to her the first time... By the way as you i dont like vocal music so much... But there is exceptions... These are some of the exceptions...

Now another contralto;Aafje Heynis

https://www.youtube.com/watch?v=X3a9QXnRHK4

 

Another contralto sublime: Kathleen Ferrier...on par with Marian Anderson , which is a feat almost impossible to do...

https://www.youtube.com/watch?v=i3J2e-L62bY

 

now another register : Elisabeth Schwarzkopf soprano.

https://www.youtube.com/watch?v=Cs0vSC9DUhU

 

And a modern opera to help you....

https://www.youtube.com/watch?v=qR33bL5aNTk&t=2192s

And now serious thing with only celestial voices:

https://www.youtube.com/watch?v=Ei88J4lERbk

 

 

Now my favorite choral music album of all time :

I listened to it really more than one thousand evenings, i had  counted it really ...😊

 

https://www.youtube.com/watch?v=NnZQ0EPuNqk

Schutz was coming back from Italia...He combined styles and created for me his most astounding work, with a rythmic expressive power putting him beside Bach who admired him... This music is like a " drug" , it move us creatively by stimulating enthusiasm....

Close the door, listen and it will not change your taste... It will open your mind to voices from another realm...

 

I definitely recognize that I’m limited by my tastes -- as time goes on, I’m finding less and less music that I want to buy. As mentioned above, I’ve never enjoyed the sound of Classical Vocals. It’s not the music. It’s what I experience as an overall highly exaggerated, unnatural and off-putting quality of the sound.

It’s not clear to me how one could "learn to listen" to a sound that one finds inherently unpleasant/annoying. Care to expound further?

I don’t mean to "pick on" Classical singers but this just happens to be one of the genres most affected by the limiting aspects of my taste.

This is precisely why i reacted to your post the way i did...

Most people will feel Bach art of the fugue and Beethoven last quartets as "boring"...

I perfectly understand that you love Elliott Carter... Or any "thorny " contemporary " atonal or others music...

I did not understood "boring" associated with Monteverdi or Gesualdo or Bach...

 

Most people had never learn about music anyway, they dont listen not only Carter or Bach, but they put commercial pop music at the center...

 

Music is deeply rooted in the human body and soul... What we listen to we become...

One thing i discovered is music is less about our tastes than about the way we learn how to hear and how to listen...

Then when they defend their "tastes" they advocate in fact for their limitations... As i did in a way criticizing your "tastes" and advocating for my tastes... I am not perfect.... 😊 I must learn about Eliott Carter more.... Because doing so i will die with more  in me than my limited tastes...I will acquire new one...😁

 

 

I think the most important thing to consider, is context.

We are both debating about classical music, a genre that is only purchased by a few percent of the music buying public.

So, as much as you think the classical music you love is loaded with so much more emotion than the classical music I love, and I may think the the same about the classical music I love...the vast majority of the music buying public is almost oblivious about classical music entirely.

I mean, all you have to do is look at the lists on this thread. You and I are the only ones to mention classical music at all. And this is a forum loaded with music lovers that listen to music that is not in the mainstream.

I did not say they were boring. I said they were boring TO ME.

Correct me if I am wrong, but aren’t both of our musical tastes and opinions, subjective?

I reacted to your provocative claim about Bach being boring for YOU....If you were in pop music i would have not reacted...

For sure , the music you call "thorny" is mostly boring for me...

Then we are on the same subjective footing ...

I, as you did , gave my take...

Music is for me always intimately related to a historical tradition... Be it Persian or classicaL OR jazz...

And for me music is related to body rythms and not only to the mind...

Then any composer who go to far and cut too much link with his tradition appear a bit boring to me and not healthy...

But as you said it is subjective and we even may like the same composer with our own different reasons...

But claiming to be "bored" by Bach art of the fugue and the last quartets of Beethoven is astounding for me coming from someone liking music...

It is a gesture ....😊

You like to be provocative , i reacted...

For me Scriabin or Sorabji or Robert Simpson are not less a giant than Carter...They are not "thorny" for sure...

Take my answer as a "gesturing" answer like your post was...😊

No one go on the same road to the same house... You are right about that...

My best to you...

 

 
 

 

 

I read that as a pretty amazing post...

 

Music is not about tonality versus atonality... Etc...

Music is about visible architecture and rythmical times ....And musical time is way more complex than physical time...

I prefer Persian and Indian music or chinese and japan to all dodecaphonic , seralism and other for me artificial written system with no possible historical emotional background for the musician interpretation ... It is music without history or feelings...Boring in a word... Silence is better... I dont deny that some of these works can be interesting and they are , like Berg concerto for example...

i valued improvisation and musician microdynamic management and emotional investment in his improvised interpretation of classical music....

Music is about feeling, willing, and thinking...It is a tool to put consciousness to another level...It is why musical time with his 2 dimensions, horizontal and vertical, instead of a line or instead of a timeless set of notes, is so complex...

In serialism music is disconnected of the natural rythms of human metabolism ...Rythms and times may be cosmical but must not loose their link with the human body... Scriabin i admired so much succeeded in doing this...

You cannot call Bach "art of the fugue " boring... You make me smile at least... 😊

You cannot call Beethoven quartets "boring" and hoping to be taken seriously...Sorry... 😊

Boring means : no surprize, no complexities, no emotions...

I think that the most boring music ever written is the music by Shoenberg serialism...There is no "time" in this music...It is really a simplistic music... A music where rythmical times are evacuated and we are let in a no man’s land of sounds ... This music attracted no more any great interest because composers need a public and need interpreters more than they need a "fancy" abstract new language...

You had never seen what is in Bach art of the fugue , it is like calling Euclidean geometry boring... It is not even wrong, it reflect only your limit not the Euclid geometry status ...

And you cannot answer to me that serialism is like fractal geometry  compared to Euclidean geometry... Because in music time is the central concept and rythm of times not deconstructed forms as Mandelbrot geometry deconstructing Euclidean concepts of dimensions...Because music is rythms of time and times of rythm not visual forms not mere "notes" systems...Serialism is like Chaos theory compared to complexity theory, in complexity theory we see how emerge order from chaos... Serialism is born from classical musical history, it is a "moment" of this history, not his culmination and his abolition in timelessness..

Most of the composers you like had no interest at all for me...Because they lost rythm and time... Musician playing this are robots...

I prefer Charles Ives and Scriabin... Scriabin is a genius who unlike Schoenberg did not create an algebraic system , his genius dictated and improvized  his last sonatas between tonality and atonality in a clever way... There is a place for emotions there ...

For opera try Akhnaten of Philip Glass a masterpiece ressuscitating the spirit of Egypt ...

For something different try : Ostad elahi...Supreme master of rythms...

Or Nikhil Banerjee...A god in India...

And you will see what is  "non boring" music...

I prefer Sun Ra to Schoenberg... Each one has his gods i imagine... 😊

Anyway i apologize for my answer... It is very interesting to have so divergent oppposite opnion... Dont take it personal... I like discussion...

You are not as the average dude then my post is not only a complete reversal of your opinion but a compliment to someone who dare to speak his mind...

 

Music is rythms as the heart is rythms and the cosmos rythms and we need Nature to recognize cosmic rythms and musical history to understand music...We cannot reduce nature to transhumanism 2.0 and reduce music to serialism... Listen to African speaking Yoruba drummers masters to know about non boring music ...Not Schoenberg..

 

Second, as far as Beethoven, Bach, Mozart, and other tonal, "common practice" composers go, I find them boring and predictable. My interest in classical music didn’t start until I discovered: atonal, serial, avant-garde, 12 tone, spectralism, ’new complexity’, and, generally, ’thorny’, challenging classical music. Now I am almost obsessed.

Scarlatti integral ...

Telemann integral...

Bach integral first ...

We are well over 100 cd here ...😊