Franco Serblin R.I.P. What happens to Ktema?


Again, my heart goes out to his family and his legacy. I have had the opportunity to listen to both the Ktema and Stadivari side by side. I came to listen to the Strads since i was thinking about purchasing them. The owner insisted i listen to the Ktemas, so i said OK. I attached my modest simaudio 600i integrated and played Traci Chapman. Wow, i immediately heard the separation, the dynamic soundstage and even the precise base. Truly, i felt the sound was a bit bright, but i understand these particular speakers have not been broken in yet. My girlfriend which has no audiophile background nor listen to much music said, the sound is no longer muffled in comparison to the Strads. So i turned to the owner and stated, "by you playing the Ktemas, i no longer want the Strads, unfortunately i cannot afford the Ktemas" needless to say i walked away empty handed, but i really are considering the Ktemas.

So i sit wondering, what will happen to company following the passing of FS? Are the Ktemas limited? Should i think about the availability of replacement parts in the future?

Any advice or suggestions would be highly appreciated.
128x128harris4crna
I wonder how the Voxativ Ampeggio I own would compare with the Serblin Ktêma.
Voxativ are quite natural but maybe lacking of soundstage with large orchestras.

Old post, but will answer anyway. The Ktemas is on the opposite spectrum than the B&W speakers. KTEMAS are warm and smooth while the B&W are analytical. Ktemas siund similiar to traditional SF speakers.