SUT - electrical theory and practical experience

If the information available from Rothwell answers your questions, that's great.  Just beware of the passages where they compare the relative virtues of active high gain stages to SUTs. Because they sell transformers. Also, if Intact Audio and Rothwell are in conflict, go with the former authority.

@intactaudio has already stated "In fact assuming the frequency response safely covers the audio band, I find core material, dielectric choice and winding wire to be far more dominant factors in the final sound. I find extending bandwidth (particularly at high frequencies) is simply more icing on an already delicious cake".

I have no issues with this Statement, I have had specific type Transformers Hand Produced for owned devices and have been involved in the dialogue between the EE Designer/Builder and their supply chain Tranx producer. There is indelible recollection of use of the construction materials as well as the Math involved.  

"if Intact Audio and Rothwell are in conflict, go with the former authority".

There is more than one road to Rome.

Rothwell are seemingly ubiquitous in their support and have available devices that can be used in conjunction with a Typical Cartridge Design, at reasonable/competitive cost to enable an interested individual to get on board and share in the experience.

Intactaudio are quite different, the device on offer is Bespoke Built and Designed to be an Optimised Interface.

The end user is quite sure about the choices for Cartridge and the supporting ancillaries they choose to use in conjunction to create the Phono Signal Path.

Additionally, the end user is quite sure who's experience they want to assist with producing their Bespoke Built devices.

I get the idea of approaching Intactaudio, it is not a strange approach or a pursuit of a luxury item. The approach is made with a intention to have the best support put in place for the Luxury Items. If one has a TT>Tonearm>Cart'>Phonostage at approximately £$20 000. If a further ancillary is attractive to be used in conjunction with the System, why would a Bespoke Built device not be a consideration. 

I've been having Bespoke Built Devices produced for 25 Years+, where I have relied totally on an EE's Experience and Skills and their supply chain, to bring the idea to a realisation. I do not feel short changed in anyway.

In the earliest days, if I were to also include a Design Service and have a Blingy Encasement produced, I may have started to feel a little out of pocket. There are many nice enclosures 'off the shelf' on offer today, so this is not an issue of concern anymore. 

@drbond 

from rothwell...

In order to make this transformer match the cartridge with a load impedance at the primary of 5 ohms, a load on the secondary of 6480 ohms could be employed instead of the 47k normally found on an MM phonostage.

Lets say for example the goal is to load a cartridge @ its internal impedance.  I agree with Rothwell that heavily loading down the secondary of a SUT to reflect the desired load to the cartridge is a mistake.  However....  One could simply accept the 47kΩ termination on a 1:36 will reflect back 36Ω. In order to reduce the cartridge load to 5Ω, simply parallel a 5.8Ω resistor with the cartridge. (it is kinda cool how 36^3=47K)

I have done this experiment and can emphatically state that in this case 5Ω≠5Ω.  In the case with the load applied through the transformer it seems like a blanket has been thrown over the speaker.  This is the exact "thick" sound people report from this type of loading.  The error all too often made is incorrectly attributing the sound of the reflected load to the cartridge when it is actually the sonic nature of the loaded transformer.  Simply doubling the turns ratio of the SUT and then loading the cartridge at the same 5Ω nets a very different sonic result. Thick, dark and muddy are the last terms I would use as descriptors.  To complete the circle on this I have then taken a transformer loaded Jfet based head amp and compared the same cartridge above loaded at 47kΩ and at its internal impedance and I would say the overall pattern of sonic character followed that of the transformer with the additional load placed on the cartridge directly and the sound of the "traditional" heavily loaded transformer secondary is the outlier.

dave

@rauliruegas 

So, Dave hopefully you can share your know-how and experiences about.

All I can give is my subjective opinions from my experiences comparing the myriad of options out there.   In my system the SUT's are always silver wire on 80% round loop nickel cores with an emphasis on air as a dielectric.

dave

@intactaudio Your last response is what I would call an IP reveal and very generous as an offered information. 

I carry info' like this from my Bespoke Designs I own,but have always felt my liberty was best constrained when the opportunity arose for sharing the Designer/Builders IP.  

I once had an awkward conversation with a not very well known to me EE at an event where I was demonstrating a device, they were keen for me to allow them to remove a Chassis bottom plate and let them see inside. I was adamant that that would be quite a betrayal to the designer with whom I have developed a close to 30-year friendship.