Powered speakers show audiophiles are confused

Perhaps my expectations are too high to expect adults to tone down the insults and chest pumping, and discuss this subject in something other than falsehoods and misconceptions, a subject, you may guess, is near and dear to my heart.

@brianlucey 

The evolution acoustics speakers are not very good. They are just another 'wooden box with drivers'. Same story. Also the fact that it is a multi way speaker is an imperfection. You do not seem to realize that your expensive speakers chop the music up into bass, mids, treble, and then is joined back up. Unfortuately this is not perfect sound. That is unnatural and does not happen in nature. Until we have perfect drivers, that can do 20hz to 20khz without beaming you will not hear perfect sound. If you think you are hearing perfection then your ears arent good enough im afraid. Perfect sound does not come easily. You have been warned. 

Master Kenjit ~ Chief Audiophile and master tuner

brianlucey oops I spelled al Schmitts name wrong and Capitol Records wrong, sorry. Al Schmitt was very kind and he was incredibly humble and unassuming. He wanted to show me all around Capitol and the reverb rooms but I was a little star struck to be honest I didn't want to be a pain. He thought what I did was cool (movie sound) and I thought what he did was cool (music) . His speakers were Tannoy he told me they had a custom crossover made by Doug Sax, they sounded awful very very heavy midrange of course I said nothing. I was there because the artist knew I new how her voice should sound the producer was Don Was. I didn't say a word about the sound I knew she was in good hands. I say all that because you respect Al Schmitt and he used literally the worst sounding speakers I've ever heard in a studio, this goes to show it's not about how expensive or perfect the monitors must be they just have to be consistent then you can make decisions in reference to them. I worked with many actors who got 20M for the show we were working on Tom Cruse, Leonardo DiCaprio, Anthony Hopkins etc. and I had to get their voice right because I had to capture their performance, but many times we had to tell the Director to do another take because something went wrong, believe me Jim Cameron on Titanic didn't want to do any take again for sound but he usually gave in after screaming at me it takes a lot of confidence in your monitoring system to ask for another take at $3000 a minute. Thanks for answering me, you are arrogant but confident and it's nice you invited me to your room. Best

@thespeakerdude you missed my entire point.  Rudely.  I was clearly saying no dogma.  Ever.  I'm not opposed to anything in principle. The OP made a dogmatic assertion.   And a few points to your bad arguments. 1.  MM3 is direct wire from amp to mid drivers. Parallel crossover. Low and high are tapped and yes adjustable.  2. Trinnov is used in 7.1.4 only. To do the geometry, the room and to match the natural curve of the LR.  3.  The idea of correction is false. There is no perfect thus there is no correction.  It's all about the best compromise based in taste.  If you choose not to decide you still have made a choice. It's all taste plus math. 

@kenjit Jesus. Brother can you read?  I'm not claiming perfect.  There is no perfect.  Read the posts again. Lot of musical color in my room.  Also a lot of accuracy.  There is no perfect.  No best room.  No design dogma from me.  That was the OP.