Why HDCD did not become a dominant format?

Thanks David, You're right about the XRCDs. They're available-but very pricey, more than even the priciest SACDs. That's what keeps my purchases of them resticted. If they were only $5.00 more than a regular CD they'd be a favorite for me; but they are often close to triple the cost and I don't have an unlimited CD budget and there are so many recordings I'd like to buy. As far as labels I also find Harmonia Mundi consistently above average, as well as good old Philips,Deutsche Grammophon,Verve and yes, even Sony has provided some great classical recordings to my ears, especially solo instruments.

XRCD, Yeah I wanted to order a couple but at over 30 bucks shipped normally, and that seems a bit of a risk considering not that much essential music (for me anyway) is produced on them.. Oh well maybe one day I will give them a shot, but there is only like one title I saw that really interested me, I am mostly a rock listener.

You want a great player which is HDCD capable and supported by a superior aftermarket tech service? Find yourself an EAD 2000. It is built like a tank, musical as all get out, and can be had for around $800 on Audiogon. I own the EAD 2000 as well as the Naim CDX...while the Naim may be a bit more resolving, the EAD is the player that I listen to day in and day out, and the one piece of equipment that I would never sell. It does HDCD right.

By the way, there was a great point made about Licensing. Pacific Mirosonics believed at one point that they would be in the drivers seat...but companies like SONY are not big on paying licensing fees to small companies when they can find ways to create their own proprietary technology...marvels like DBX. Once Microsoft had the rights, nothing was going to stop Gates (who owns 30% of Apple) from supporting the Ipod movement.

Two comments:

First, not every high-end CD player included HDCD decoding. Playing an HDCD disc on my former moderately priced CD player was a great improvement, but I wonder the degree of improvement with a very expensive CD player.

Second, I really enjoy the Redbook CD remastering on Hybrid SACD's. Yeah, the SACD layer probably sound better [I don't own a SACD player], but the Rebook mix is outstanding!

Thanks all. Mcpody, I appreciate your info and the EAD 2000 may sound great but I am unwilling to take a chance on the inevitable breakdown for which parts may no longer be available. To my certain knowledge this is already affecting maintenance/repair of some extremely well known and highly regarded units from very established, reputable companies - that are still in the CD reproduction business in a 'very' strong way.