Subwoofer Plug

Why don't you call SVS and see if they'll send or sell you a plug? Your model may not have come with one, but all their ported square subs come with foam plugs now to adjust the bass rolloff profile.

Thanks for all the replies!

Hey Johnny, good idea. I want to say that my SVSs did come with a plug eons ago, but I've lost them and, anyway, I'd need three for each. These are the earliest SVS cylinder subs; they may not make anything like this any longer, I don't really know. Still worth checking.

Rrog, interesting idea, although if you're referring to my subs' size, they're not small. I think the newest generations of SVS have gone the mighty mouse approach, but back when I bought they were making subs that made their buyers look like they were compensating for something (no.... The answer is no, I am not compensating... :)

But seriously, I've got the tallest of the passive cylinders from 2002. I think the model was something like 12-46cs ( they are the tall ones, so I might have the height number wrong or something). Anyway, these are big mombajombas; too big for the room they are in now. I am going to be selling one and, depending on how the stuffin' works maybe both.

Zman, Rod: thanks for the leads and ideas. I will look into those ideas. Definitely worth it.

Eldart: I feel like we are talking about the same thing tho, no? To be honest tho, I've never seen a sub advertised as an "acoustic suspension" type. I've seen ported, sealed, different kinds of loadings (or maybe the right nomenclature is different order subs?). Could you point me toward info on acoustic suspension? Thanks!

Aewhistory... If you google "acoustic suspension" you will find good info.

The acoustic suspension concept is to replace the mechanical springiness of a cone speaker with the springiness of air trapped in a closed enclosure. It requires a speaker with cone free air resonance on the order of 12 to 14 Hz. (Hold one in your hand and it flops around like a dead fish). Such a driver cannot be used with other types of enclosure. Few if any drivers are made today with suitable characteristics. Low distortion is the primary benefit, but a significant secondary benefit is that the appropriate enclosure size is relatively small.

I obtained some makeshift plugs for the ports on my B&W 803's at Wallymart, kids section. Those closed cell foam play balls work great. Just measure your port diameter and look for foam balls that are a bit larger. If you get a reasonably tight fit, they will seal air tight and that is what matters.

And I would not use a foam tube as you can make annoying wooshing port noise from the smaller diameter opening.

An air suspension design just means the driver is mounted in a sealed cabinet, ie, no ports. While the optimized cabinet design for an air suspension (dimensions, volume, etc) will be different than a ported design, plugging the ports on a ported design will get you some of the benefits of the AS design at the expense of low frequency response.

Sorry Dhl93449, Eldartford had it right:

An air suspension design requires a sealed enclosure, but not all sealed enclosure speaker designs are air suspension designs. The bass drivers made today usually come with the specs to determine the enclosure volume and port length and diameter for a ported speaker and the enclosure size for a sealed design. The sealed design is *not* an acoustic suspension design because the woofer's ability to make excursions and return to neutral is entirely dependent on the cone stiffness and magnet strength. In a true acoustic suspension speaker, the speaker cone and magnet strength are significantly reduced along with the enclosure size. The sealed air in the enclosure then supplements the magnet and suspension to control cone motion.

In a standard sealed enclosure, which is much larger relative to the woofer diameter, the sealed air does not significantly contribute to the cone excursion and restoration.

For example, a standard 10" woofer today might require a 4.8 cu. ft. enclosure if sealed. However, the true acoustic suspension designs of the '60s (e.g., AR3a, KLH, Advent, etc.) were mounted in a 2.3 cu. ft. enclosure and produced true low-distortion bass down to around 30-33 Hz. The floppy suspension and thin cone lowered the free air resonance of the woofer to make this possible.