I agree with twoleftears that Dyn had gone 'forward sounding'. That's been my experience at RMAF over the many years I've attended (and volunteered when feeling generous). Vandies are nice and don't seem to beat up your ears as well.
My quick recommendation for audio bliss for you would be akin to:
used Raidho D1's or D2s (D1.1s at $10.5), two SVS SB-3000 subs ($2 or $2.2 both), and one DSPeaker Anti-Mode 2.0 room correction system ($800?) with digital equalizer if desired (yes-use it, don't overdo it).
At under $14k you will enjoy the tweeter that made me ditch the full range Sapphires even with the wonderful Esotar II tweeter which I had love to pieces for five years. It is supremely detailed and (for good or bad, purists) I have never, ever heard sibilance or harshness from any program material. Raidho sound is detailed and lush and beautiful.
The DSPeaker unit will transform and mate the the SB-3000 subs for rock-solid tight base to 30Hz and I'd suggest high passing at 70 or 80 to the Raidhos to allow them a bit more dynamics. If you can live with low dynamic peaks to the low 90s, (and kinda full range with the subs).
Get ready to beat me up for my choices or lack of funds. I've been using a the external loop on a W4S STI-1000 integrated with the DSP unit and it is dead/inaudible silent, and the 500-1000 watts do wonders for the old used D2s that I got in late 2016 (after trading the dealer my Sapphires, X-12s, Scansonic MB2.5s and $too).
I was using an R.E.L. Britannia B1 sub crossed at 28Hz and achieved beautiful flat response to 25Hz due to the port I believe. I just got a new SB-3000 and finally I seem able to use a high pass to the D2s of 70 Hz and a low pass of 55 on the sub for non-identifiable blending. I was might impressed at that $1000 SB-3000, very awesome and tight. That high pass to the D2s has definitely given me more peak dynamics (4-5 dB?) and I'm getting even happier.
Oh yeah, Harbeth's can make my toes tingle too! And great other suggestions listed above by twoleftears.