"Bridge Over Trouble Water" sounds artificial


During the pandemic I've been upgrading my sound system.  I used to enjoy Simon & Garfunkel, "Bridge Over Trouble Water".  With my upgraded equipment the hi resolution audio sounds very synthetic, with one track on top of another, not like real music at all.  The voices are doubled and violins just layered on top.  On my same system, I played a live concert of Andre Previn playing Gershwin's "Rhapsody in Blue".  It sounded real and beautiful, like a live performance.  Am I doing something wrong?
aeschwartz
Albums that sound like BOTW, and there are far too many of them, I simply keep the volume much lower than I do with a great recording.  This allows me to enjoy the music I wish to listen to and do so without being too terribly brash on my ears.  I would not build my system "down" to a lower level of quality for the sake of such albums.  I strive to put together the best system that I can afford and simply adjust the volume as needed.  But man, on those really great recordings, let 'er rip!  Full-tilt-boogie, what a blast that is.  Sonic bliss and entertaining as hell.
mammothguy, thats a good point,
We revisit oldies but goodies , like a walk down memory lane.. I recently  added  Carol King’s greatest Hits, as much as i love some song,s, its best not to put too much gain on the vol knob.
We have fond memories for these masterpieces , but not for the quality of sonics.
S&G’s hits had great impact on the youthful hippie generation. Paul; Simon was perhaps the greatest song writer for the hippy/pop culture.
We loved his songs for their folksy, creative words and melodies. Paul Simon’s creativity spoke the soul yearnings for *Our Generation* (The Who My Generation Live version)
I mean consider how important, and *sensational* the soundtrack is for The Graduate.
So the soso record quality on some , if not most of our greatest hits late 60’s/early 70’s , are *forgivable** for the creativity and as someone mentioned, their *nostalgia* emotive affects as we walk down memory lane...
@aeshcwartz 

I'd say, it has nothing to do with the recordings. Your result is just reflective of the current (true) state of your playback system in your room...even if the upgrade results, in some way, in an apparent step backward or down in listening experience (in the case of a few recordings). 

Either the "upgrade" was not quite "up" enough, or other areas of the system need to be looked at, too.

But, I can assure you, once you've finally gotten it right, you do indeed get the satisfying treatment All your music deserves.

You can look at better gear or better tweaks or both, whatever you like, but this sort of 'jockeying' of subjective impressions of various recordings as you progressively improve your system goes on all the time. And at times things can somehow, in more isolated incidents like you've noted here, can temporarily appear 'go south' a bit unexpectedly in the process longterm. That may seem counterintuitive given the rationalization for a given upgrade, but I would say this kind of thing is situation normal and just goes to show that you may have a bit further to go with your system...but I'm saying that if you keep going you will definitely get there.

Sometimes, that can be a difficult thing to keep in mind in the long run, and it may be easy to get drawn down into the weeds so long you lose sight of it...assuming it's even your goal, of course.
I listened to this album a few weeks ago on Quboz. 96/24 mastering of the 1970 album by Vic Anesini, best version I remember ever hearing.
Would also like to add: remember that exactly where, and in what order, your recordings will ultimately land is overwhelmingly determined by the quality of your setup.

For the longest time, I believe it was J Gordon Holt, who went around proclaiming the relative recording quality of various vinyl editions in general, but as his system progressed into the $30k territory, he found himself reversing his opinions on several of his recommendations and ultimately felt himself forced to admit that trying to divine overall recording quality was actually too hazardous for anyone to do definitively.