"Bridge Over Trouble Water" sounds artificial


During the pandemic I've been upgrading my sound system.  I used to enjoy Simon & Garfunkel, "Bridge Over Trouble Water".  With my upgraded equipment the hi resolution audio sounds very synthetic, with one track on top of another, not like real music at all.  The voices are doubled and violins just layered on top.  On my same system, I played a live concert of Andre Previn playing Gershwin's "Rhapsody in Blue".  It sounded real and beautiful, like a live performance.  Am I doing something wrong?
aeschwartz

Showing 3 responses by mozartfan

I haven't listened to Simon &Garfunkel for a very long time for this very reason.It sounds better on a car radio.I


I think, above,  I touched on what you are saying here. 
Simon and Garfunkle on our higher resolution systems is not going to bring us back to that magical moment we 1st had on our Zeinth consoles, /Marantz crappy ss amps. 

Remember the studio dubbed that song to havea  certain spatial, **oceanic* effect.. Sail of silver girl, sail on by,,,
so maybe with your upgardes, you might had the same exp i had listening to Diana Krall after adding a  new component/upgrades.
I could detect a  bit studio tweaking on Diana's voice ,,  a tad over dubbed.
anyway, so yeah, the Simon song now has lost that *old charm* *more organic* *monoish* flavor you remember from when we 1st heard that song wayyy back in 1971.
Your system back then did not have the same fq resolution you have now,,  the experience changes as the resolution becomes greater , ... take my LS9 preamp, modded with new M caps, Johnny Winter LIVE AND, sounded *raunchy*, ,  not like I recall back on my LP days with crappy equipment,.,,, Resolution was not near what I have now,, Then i gota  Jadis DPL modded with new M caps, and sure the raunchy, rawness was still there,,,but somehow ~~enjoyable vs the LS9's resoltion. The LS9 revealed thev studio sounds perfectly, but the Jadis DPL not only exposed the rawness, but added soundstage, making the cd much more listenable. 
So a preamp definetly  reveal whats on the cd, a  great preamp not only reveals, but also gives depth and resolutions. 
We had cheap sound systems back then, but not once did we say,,*man that Johnny Winter LIve Andlp sounds so *raunchy*. 
Now with high resolution components/mods, ,, our old favs,  are not going to have the same listening experience, Whether athst good or bad, depends on how we feel at that moment.
That song was magical when it 1st came out. and we loved it even on our Zenith consoles....
mammothguy, thats a good point,
We revisit oldies but goodies , like a walk down memory lane.. I recently  added  Carol King’s greatest Hits, as much as i love some song,s, its best not to put too much gain on the vol knob.
We have fond memories for these masterpieces , but not for the quality of sonics.
S&G’s hits had great impact on the youthful hippie generation. Paul; Simon was perhaps the greatest song writer for the hippy/pop culture.
We loved his songs for their folksy, creative words and melodies. Paul Simon’s creativity spoke the soul yearnings for *Our Generation* (The Who My Generation Live version)
I mean consider how important, and *sensational* the soundtrack is for The Graduate.
So the soso record quality on some , if not most of our greatest hits late 60’s/early 70’s , are *forgivable** for the creativity and as someone mentioned, their *nostalgia* emotive affects as we walk down memory lane...