Is there an ideal (ish) cartridge output?


I just got done building the Pearl 2 and I went back and forth with gain and impedance. Using a cart that had .15mv and another at .3mv. I also have a Sony TA-5650 V-FET that has a vfet MM phono stage that I have been curious to try out. In that curiosity, I read the specs on the phono stage and its 70db SNR, which is meh. I then thought about SNR, THD, gain, and output of phono cartridges and stages. I looked at a lot of specs of cartridges and stages over the years, and as the gain of the stage goes up, the SNR goes down, which eventually leads me to this question:

Is the ideal cartridge output 1.5-2mv? Do you then get a medium output that is the best middle ground for SNR and THD? If that could be the case (or if not if you disagree) then why isn't there more cartridges with around that output available? 
enobenetto
Another aspect that also got me thinking about this, is when you crank the volume on an input of a cd player or DAC when nothing is playing you get silence, but when you do that with a phono stage you will quickly get noise when past a certain threshold when music is not playing. Which got me thinking does anyone have a phono setup where that does not happen?

My Herron VTPH-2 (not 2A), used with an Audio Technica AT-ART9 cartridge rated at 0.5 mv, is amazingly quiet.

I frequently play minimally compressed classical symphonic recordings which can reach brief dynamic peaks of 100 to 105 db at my 12 foot listening distance, but when I turn the volume control up to settings that are well above any that I might ever use I hear zilch unless my ears are very close to the speakers. And likewise when I listen via Stax electrostatic headphones, which certainly do not have a rolled off top end.
That is with the stock tubes, btw, and with the Herron applying essentially no load (i.e., a near infinite number of ohms) to the cartridge.

Comments by some members that I've seen here have have led me to suspect that the more recent VTPH-2A might be somewhat more noisy, at least with the stock tubes, and I've certainly been very happy with the sonics of the VTPH-2, so I have no plans to have the unit upgraded to the more recent version.

Regards,
-- Al

Getting a quiet result from a MC phono stage (or MM stage with SUT) and ~ 0.5mV cartridge is fairly easy to do. It gets increasingly difficult as your cartridge output falls below that. At 0.3mV you’re usually dealing with some discernible noise (unless you only listen at modest volumes), and it’s up to you whether that’s going to be problematic or not - though with good setups it should not be notable with needle in groove. Of course this is assuming you’ve optimized grounding so hum isn’t an overriding issue. And I don’t have much experience with MM cartridges.
Cartridge output along with phono preamp gain setting and making sure you are not inputting more than your preamps input sensitivity (mV). Risking not so much clipping as simply raising the noise floor too much, most preamp sections can handle close to 1V but some are spec’d at like 300mV. So some extended listening is needed.....Clearly a lower output in the 300-400mV range will help keep the noise floor pretty low, while allowing all the subtle musical pcs to come thru.
what is the best output to give you the lowest noise without sacrificing performance. 
Higher output is definitely better, and would be universal, except its not free. There are tradeoffs.  

There are only three ways of getting higher output: more coils, bigger magnets, or more powerful magnets. There's a few more little tricks but basically that's that. Expensive materials basically forces everyone to using the same stuff at the same price level, and so it then comes down to how much. How many coils, how big the magnets. 

Either way, all things being equal, higher output equals higher moving mass - equals less detailed tracking. This is why at the top of the game pretty much all the best MC carts have pretty low output. Its simply not possible to track as well with more moving mass as less.

This also explains why Strain Gauge works so well. With a fraction the moving mass but much greater output (not to mention no RIAA EQ required) its a technological no-brainer.
The so called ''moving parts'' by an (MC) are cantilever/stylus
and coils. Those are fastened to the joint pipe in which also
''tension wire'' is fastened in order to connect moving parts
with the generator. It is obvious(?) that cantilever /stylus
combo weights ''nothing''. So the most weigth is in the
coils. The number of windings determine the output. So
the lower the output the lower number of windings and
the lighter the moving parts. Any attempt to reduce the
weight of the moving part means reduction of the wire jn
 the coils. One can increase the output by ''iron core''
in the coil former but this has other drawback. The ''coreless''
coils are the best but with the owest output. For those
one will need very good phono-pre or SUT.