Why the obsession with the lowest octave

If you understand the physics of sound production with musical instruments you might understand better the "obsession" for the lowest octaves. Although one may not be able to hear a very low frequency bass tone the fact that the speaker can produce low frequencies and may be vibrating at a low frequency sets up the mid range and high frequencies within the harmonic series to produce a more resonant quality. Musicians choose instruments with this quality and tune their instruments to tap into this harmonic structure so the instrument sounds better. These vibrating harmonics, even if they are too low to hear, bring out upper harmonics to add color to the quality within the speaker and accoustically in the room air. Some musical instruments are better than others by just they way they are made and I imagine speakers are the same, some good, some not so much. Walk over to a piano (any piano but a grand piano demonstrates better) and push down slowly on a middle C so the hammer doesn't strike but is off the string and hold it down. Then, while continuing to hold down the middle C strike a C in one of the real low registers for 1 second and release to dampen that note. The middle C will be vibrating when you release the low note and it was never struck due to resonating harmonics from the lower portion of the harmonic series. Bottom line is a speaker that has a great low frequency quality will make the entire spectrum and system sound better.

I'd choose quality bass down to 40 Hz ballpark over somewhat muddy extension down into the bottom octave. An honest 40 Hz is pretty darn deep anyway.

That being said, recently I built a semi-custom four-piece subwoofer system for a customer, and this set is theoretically -3 dB at 16 Hz after room gain. Yes, it does add something that was missing before, and my wife wants me to build us a set. How cool is that - she's actually encouraging me to put BIGGER subs in the living room!

Duke

Duke said, "I'd choose quality bass down to 40 Hz ballpark over somewhat muddy extension down into the bottom octave. An honest 40 Hz is pretty darn deep anyway.

That being said, recently I built a semi-custom four-piece subwoofer system for a customer, and this set is theoretically -3 dB at 16 Hz after room gain. Yes, it does add something that was missing before, and my wife wants me to build us a set. How cool is that - she's actually encouraging me to put BIGGER subs in the living room!"
Duke

I for one am not impressed, a THERORETICAL -3db, who cares what you guess a system will do. Measure it and post a picture of the response and we can all be wowed.

How about a system that does +15db at 20 hz and is then extended to 13hz before it starts to drop off.
If you would like to see an ACTUAL measurement of it go here;

http://www.hometheatershack.com/forums/rew-forum/27565-my-new-room-response.html

An "honest" 40hz really is not low, don't fool yourself.

Bob

Why the obsession with the lowest octave?
It could also bestated;
Why the obsession with the highest octave?

I like pipe organ.So of course it is necessary. Yes, most music is in the midrange. Press both your tweeters in and tell me after a week if you miss the very highest frequencies. There's hardly any music there anyways.

I haven't read all the replies, but what you miss with the lowest octave is not only bass, but especially the ambiance cues of the original site that makes a recording sound "real" and complete. Then you can talk about soundstaging and imaging. As they say, you don't know what you're missing until you get it!