What are some of the most underrated and overrated loudspeakers you’ve auditioned?


What speaker do you believe are the most overrated and which one do you consider the most overrated?
mrc4u
Fun topic, but meaningless.  Sure, I have my entries in both categories (overrated KEF ls/50, underrated Vandersteen 3A  Signature), but like all else in audio (and the world) it's a matter of personal taste.  Vandersteen is never going to sound great to millercarbon, while they do sound great to me.  Both valid views.  Maybe the real takeaway from this discussion is the highly variable reliability of professional reviews.
Jim Heckman  
Another example:  Wilsons don't make music for me, but apparently very many people love them.  I'm not about to dispute their taste, and in fact am glad they enjoy them.
Jim Heckman
As I am reading this I am enjoying my overrated B&W 802d playing an excellent Led Zep II on my vinyl rig.   I have no plans to ever change them.  Why?   I love the sound, already have them and they are too damn heavy to change out easily.    Of course I am curious to hear other speakers  with my setup but I love the music and enjoy them every time I listen.     Jumping around seeking “better” isn’t always so satisfying.
Don't know if they're underrated as such, but certainly below radar in the audiophile community at large: the JBL 4306 and 4429 (the L100 could also be included here). They image well, are well-balanced, very dynamic, and just sport a clean, honest and low-colored sound. 

What sets them apart from many of the more popular and typical hifi-speakers is the use of compression drivers in the mids and tweeter range, and to me - even though it makes them hybrid designs - this is a good thing. Horn profiles have come a long way these last 10-15 years, especially smaller horn variations (horn "honk" or other overt coloration in modern or larger, old horns is just gibberish and a flat out anachronism), the compression drivers have been great for even longer (though we've seen some improvements here as well), and all of this gets one substantially closer to having your cake and eat it too; there's refinement and imaging here to be had, in addition to significant gain in dynamic headroom, ease, sense of physicality/visceral feel, lower distortion and coloration (yes, you heard me right: lower coloration compared to dome tweeters and coned direct radiator mids). The more I get used to listening to quality horns the more coned direct radiators sound like cones. Piano, violin and saxophone in particular I find to be revealing instruments here, and when you go all-horn wait and see how bigger string instruments like cello and double bass can sound like. 

Most overrated speakers? Not that they seem excessively popular, but I've never bought into the sound of German Physiks speakers. 
Has anyone ever actually gone to a hi end store or to a person’s house who gives a damn about set up and HEARD speakers? I have had $400/pair speakers sound like $6500/pair speakers with the right amp (Hegel) and by changing the stock brass jumpers with copper jumpers.
Several people have talked correctly about room acoustics and tuning. 
“Free your ears, and your ass will follow...”