Phono cable build question

sleepwalker65

Cleeds and Viridian, you are mistaken. The two conductors from each channel connect to the signal carrying twisted pair that is within the cable shield. One cable for right, one cable for left. The shield connects to the black tonearm ground wire at the turntable end and to the phono stage chassis ground at the other end. This gives you a properly shielded connection from cartridge to phono stage.

That you would wire your pickup arm differently doesn’t mean Viridian or I are mistaken. Nor is it clear when you refer to your scheme as yielding "a properly shielded connection" just what you mean. As Viridian notes, your addition of a second ground may actually increase the chance of hum.

The loose, dangling, black ground wire common to many pickup arms is to help reduce ground loops; it can’t shield against RFI because it isn’t constructed as a shield - it’s just a dangling wire.

This is all moot in my system, because I keep the phono cartridge signal fully balanced. It’s wired into a balanced/differential phono stage - there's no need for a shield to reduce RFI.

The tonearm is the origin point of the signal, and in many cases it is metallic or made with conductive materials. In the OP case the Technics tonearm is designed to be an RFI shield. It is therefore a requirement to run a ground wire from said tonearm to the phono stage chassis to be effective. The use of twisted pair cable with a separate shield both provides continuity of shielding for both signal-bearing conductors of each channel, and phono stage chassis ground for the tonearm. Remember, the OP is using shielded twisted pair cable. 

Hi sleepwalker65- So I attach the black ground wire from the tt to the preamp chassis as normal.  Then, on the preamp end of the phono cables I cut the shield off and do not solder to anything.  But on the tt end, I twist and solder each shield together and run it to the origin of the black ground wire and solder it there. Is that correct? Thanks 🙏🏽 Kurt 

sleepwalker65

The use of twisted pair cable with a separate shield both provides continuity of shielding for both signal-bearing conductors of each channel, and phono stage chassis ground for the tonearm.

Whatever works for you is fine, of course, but I'd never wire a phono cable as you've suggested, and didn't even when I used a single-ended phono connection.

sleepwalker65 - what I’m asking is how exactly would you build them? I tried understanding what you’ve already written but, as I’m a novice, I’m a bit confused. Do you solder the shields of the interconnect cables to anything? If so, to what and where?