Thanks everyone for the suggestions on the amps & subwoofer layout ideas. Much appreciated!
Regarding the amps, I have a pair of PSA M700’s already on the Dali Megaline woofers so I will most likely try them when I’m done working on the Kinergetics subs & buy another pair then since I can get them for <$2K new. I just wish they had an auto on/off feature or always on like the Bel Canto or Wyred 4 Sound amps. I may try a used Krell, Parasound or Bryston someday in the future though since they both have a great reputation for excellent bass.
Regarding the subwoofer layout Distributed Subwoofer Array vs Line Source Vertical Array I don’t pretend to be an expert, but I’m sure each have their pro’s & con’s. Since my room won’t permit DSA arrangement & I’m mostly concerned about the sweetspot vs the whole room getting the best bass. Besides, isn’t twelve 10” woofers better than four 10” woofers for room coupling? I also feel a subwoofer system that matches the height of my 7’ Dali Megalines will blend better together. Also, one of the world’s best speaker system the Infinity IRS uses LSVA & all other high end speaker manufactures do also.
Here’s a link to some very interesting reading about different subwoofer array designs:
https://www.electrovoice.com/binary/wp%20-%20Subwoofer%20Arrays%20v04%20.pdf
BTW- My Kinergetics SW-900 are very rare(only on I’ve ever seen, ever!) vs SW-800. The SW-800’s have five 10” woofers per side & measure 58Tx13Wx16D & are MDF with most oak veneer vs my SW-900’s have six 10” woofer & measure 70Tx13Wx19D are HDF with beautiful walnut veneer. I can’t wait to get them setup!
Advantages of Vertical Line Arrays:
Preventing Drop Off With Distance – A major advantage of a line array system is that you can achieve much more consistent sound levels from the front to the back of the listening area. Line arrays are made up of multiple modules, so by adjusting the physical angle and the amplitude of individual modules, a higher sound level can be projected toward the back of the room than toward the front, resulting in more consistent coverage throughout the space.
Vertical Pattern Control – The taller the line array, the better the control of the vertical coverage of the low frequencies emitted from it. This is important, as it reduces how much sound is sent toward the ceiling, which can cause unwanted reflections back into the listening areas. They can also reduce the amount of sound that leaks onto the stage or chancel area, which in turn, decreases the level of sound regenerated through open mics on stage, thereby cleaning up the overall sound and increasing GBF.
Sound Pressure Level (SPL) Capability – Some line array systems have a large number of drivers inside each cabinet of the array, allowing a single coherent wave front to be produced. Because of all these drivers, line arrays often have the capability of producing a higher SPL than is required, enabling systems to operate well below their stress point. If your church’s worship style requires concert-level sound reinforcement or hosts visiting national acts, the SPL capability of certain line array models can be an advantage.