New Amps Arrived...


Just got my new amps installed in my system, Pass 260.8 mono's. They are replacing my ML333 snd I am very happy at the moment, everything that I lost as the ML was failing is back with a vengence. Currently running it though it's paces, trying all my music that I am very familiar with and then some. They were demo's so already burned in, allowed them to warm up for an hour (recommended by Pass), actually left the room and let them play.

The weekend is going to be crap here, so I will be spending a lot of time listening here. I am hoping that this is not 'new car syndrone' but I guess only time will tell. I can not recall hearing the Hawks sound so dynamic on such a wide selection of generes.

Anybody familiar with these amps and can suggest something that might challenge them so I can fully appreciate what they can do? Off to Pink Floyd, Wish You Were Here shortly, currently Dire Straits, then maybe some more Jazz and back to some classical. So far I like everything I hear....
128x128stevea11757
Randy Crawford- No Regrets
Sade- Soldier of Love
Ben Webster- Soulville
Walter Wolfman Washington- My Future is My Past

Cheers
Go find your favorite or any review of your amp, read it and write down what the reviewer found to help challenge it in his review process.  If you have a DAC and a source then you should be able to find several options. Same for your speaker review. Also what power cords are you using?? I find Tara Labs RSC opened up my Pass amp in spades without breaking the bank
Pass and the dealer recommended I stay with supplied power cords and NOT to put on a power conditioner. The reasoning seem sound, as the amps were voiced using it that was. I did go against their advice by upgrading the power cables but might swap back to stock to see if there is anything to it.

Coming into a second weekend and I am hoping for an extended listening session rather than the single day I had last. I have noted every recommendations and have already listened to a few and plan to dive deeper into the list. 

The thing I have noticed first with the change, first yes, they are not as powerful as the ML and the volume setting on the pre is up higher to bring it to the same listening levels, but other than being a number, no impact.

Secondly, the bass impact, speed is something that I have missed since the ML and is not back with a vengeance. Clarity of the hf is something I am still trying to define, maybe it is more a striking separation of different instruments or perhaps a greater separation has caused me to take notice.

More after this weekend..

SA 
I agree with french_fries, I miss my youth living near NYC and then Boston, where I could hear incredibly good classical music and jazz in live venues. I have a dedicated listening room and high-end gear, but it is not the same. See, "Nine Concerts in Seven Days at the World’s Most Famous Concert Hall" - https://www.nytimes.com/2019/03/11/arts/music/carnegie-hall-vienna-philharmonic.html

stevea1298..."Secondly, the bass impact, speed is something that I have missed since the ML and is not back with a vengeance."

Hi Steve, did you mean to say the bass impact and speed is back with a vengeance or are you saying the Pass mono's do not have the bass impact of the MLs?