Turntable got absolutely crushed by CD


Long story short, i've just brought home a VPI classic 1 mounted with a Zu-Denon DL103 on JMW Memorial 10.5 with the appropriate heavier counterweight. Had everything dialed in..perfect azimuth, VTF, overhang, with only a slightly higher than perfect VTA. Levelling checked. All good. 

I did a comparison between the VPI and my Esoteric X03SE and it's not even close. The Esoteric completely crushes the VPI in all regards. The level of treble refinement, air, decay, soundstage depth and width, seperation, tonality, overall coherence is just a simply a league above from what I'm hearing from the VPI. The only area the VPI seems to be better at is bass weight, but not by much. 

I'm honestly quite dumbfounded here. I've always believed that analogue should be superior to digital. I know the Esoteric is a much pricier item but the VPI classic is supposed to be a very good turntable and shouldn't be a slouch either. At this point I feel like I should give up on analogue playback and invest further in digital. 

Has anyone had a similar experience comparing the best of digital to a very good analogue setup?

Equipment:
Esoteric X03SE 
VPI Classic, JMW Memorial 10.5, Zu-DL103
Accuphase C200L
Accuphase P600
AR 90 speakers

Test Record/CD:
Sarah McLachlan - Surfacing (Redbook vs MOV 180g reissue)



chadsort
My biggest shock in audio (many years ago, and before digital) was when a Linn dealer, unable to convince me that his Linn was better than my top of the line Denon, offered me a VPI suspension base at half price. I took it home and put it under my TT. My jaw dropped at the difference! To this day, I am leary of non-suspended tables, no matter the mass, unless steps are taken to avoid the deleterious effects of feedback. You will never suspect what is wrong until you hear the difference. See if you can isolate your TT by some means.
Let’s face it. Anyone who weighs into an analogue forum with such an inflammatory thread title is bound to expect some flak. ;)

Even if I had the money for e.g. 3-box DCS CD player, the cheapest of which retails at 40 or 50K(?) I wouldn’t buy one. Don’t know how this type of player stacks up against your Esoteric but it illustrates that analogue’s persuasiveness as a compelling musical medium is much more powerful than you suggest.
@moonglum well as the owner of a full Vivaldi stack (itself further tricked up with a boat load of extra gee gaws) I used to think it sounded pretty good -- until I upgraded my speakers (now M3) and pre-amp (now VTL 7.5III) -- I soon discovered that my prior speakers and pre had been adding a very pleasant coloration to CD playback that masked the shortcomings in red-book reproduction to a very agreeable degree (some added bass warmth and colorful splash around the treble largely from my ARC Ref40) -- with this stripped away the weaknesses in digital became clear and at the same token my LP reproduction took a great leap forward -- with the removal of that extra sheen and gloss all of the advantages of analog came out loud and clear (a wholeness of presentation, a seamlessness across all frequencies etc etc)

By the same token SACD now sounds that much better than red-book

What I'm getting at by this is that often times great sounding CD playback is about finding a set off complementary colorations that enhance the weaknesses in the medium -- with these in place CDs can sound really good, but once you get clued in to the extra spices and flavoring you are adding you soon hear them -- LPs on the other hand only keep getting better

It may be that the OPs Esoteric is designed to bring out the best in CD -- I will not weigh in on all the ways his LP playback system may be limited, suffice it to say that LP playback requires painstaking attention to detail in every aspect and any small error can ruin the whole thing
I truly believe the OP did not intend this thread to be inflammatory, true the title could have a little less provocative, but rather they are genuinely dismayed that their analog investment so far is giving a sub par performance to their ears.

Now their has already been plenty of great suggestions as to why this may be and in fact it could be a combination of a lot of reasons, not just one.

I could say that the cart may not be the best match for the arm. Certainly I feel the phono stage is lacking if nothing else in range of loading but likely suffering from old age as well.

What does this mean?

Unfortunately the OP is likely going to have to spend more money to get it right ,but they will know when they do.

First try playing a different album, maybe a pristine cut from an earlier decade, one known for an exemplary performance and see how that stacks up.