Best Loudspeakers for Rich Timbre?


I realise that the music industry seems to care less and less about timbre, see
https://youtu.be/oVME_l4IwII

But for me, without timbre music reproduction can be compared to food which lacks flavour or a modern movie with washed out colours. Occasionally interesting, but rarely engaging.

So my question is, what are your loudspeaker candidates if you are looking for a 'Technicolor' sound?

I know many use tube amps solely for this aim, but perhaps they are a subject deserving an entirely separate discussion.
cd318
@toetapaudio,

I went to the show to mainly hear the Vivid Audio and the Audio Note speakers. I was a little concerned that there weren't more familiar names (Arcam, B&W, Marantz, Sony, Tannoy, ProAc, Living Voice, Rega, Pro-ject etc) on show. So naturally I was pleasantly surprised by the sound quality of some of the unfamiliar products on offer.

It's often said that hotel rooms are often not a good place to demonstrate Hi-Fi but this didn't seem to be true last Saturday. I did notice that the smaller rooms tended to be playing bookshelf speakers, makes sense. Also, there seemed to careful use of the volume control this time. Some of the previous shows I remember were almost guaranteed to give you a headache by lunchtime.

It was also touching to see enthusiasts, (designers and dealers), who could probably easily make a good living by other far less risk means, choosing to try their hand in audio. Good luck to all of them (except the quick buck cable peddlers - only joking, I'm probably just jealous).

Anyway, for any potential visitor I can recommend taking some form of notes as you go from room to room, via smartphone in my case. It can help focus your thoughts and is a great memory aid at the small risk of looking like a good plated audio nerd.

A good plan/ route of action is also useful as it's all too easy to miss certain rooms in the melee or excitement if the music grips you too much. I seem to have missed both the Townshend room and the bookshelf Kerr Acoustics room - and probably a few others.










@cd318 Ah, my bad. Rich Timbre is very well known to Harbeth, Daedalus, Quad ESL 57, Apogee (if set up right), Divore Fidelity, Hyperion (now almost if not defunct), etc.  Not as elusive as you thought.
It’s refreshing when a designer appears to have similar goals to your own.

So then what about Zu? Sean Casey seems to often mention the importance of tone and harmonics in his designs.

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