What Matters and What is Nonsense


I’ve been an audiophile for approximately 50 years. In my college days, I used to hang around the factory of a very well regarded speaker manufacturer where I learned a lot from the owners. When I started with audio it was a technical hobby. You were expected to know something about electronics and acoustics. Listening was important, but understanding why something sounded good or not so good was just as important. No one in 1968 would have known what you were talking about if you said you had tweaked your system and it sounded so much better. But if you talked about constant power output with frequency, or pleasing second-order harmonic distortion versus jarring odd-order harmonics in amplification, you were part of the tribe.

Starting in the 1980s, a lot of pseudo scientific nonsense started appearing. Power cords were important. One meter interconnects made a big difference. Using a green magic marker on the edge of a CD was amazing. Putting isolation dampers under a CD transport lifted the veil on the music. Ugh. This stuff still make my eyes roll, even after all these years.

So I have decided to impart years and years of hard won knowledge to today’s hobbists who might be interested in reality. This is my list of the steps in the audio reproduction chain, and the relative importance of each step. My ranking of relative importance includes a big dose of cost/benefit ratio. At this point in the evolution of audio, I am assuming digital recording and reproduction.

Item / Importance to the sound on a scale of 1-10 / Cost benefit ratio

  • The room the recording was made in / 8 / Nothing you can do about it
  • The microphones and setup used in the recording / 8 / nothing you can do about it.
  • The equalization and mixing of the recording / 10 / Nothing you can do about it
  • The technology used for the recording (analog, digital, sample rate, etc.) / 5 / nothing you can do about it.
  • The format of the consumer recording (vinyl, CD, DSD, etc.) 44.1 - 16 really is good enough / 3 / moderate CB ratio
  • The playback device i.e. cartridge or DAC / 5 / can be a horribe CB ratio - do this almost last
  • The electronics - preamp and amp / 4 / the amount of money wasted on $5,000 preamps and amps is amazing.
  • Low leve interconnects / 2 / save your money, folks
  • Speaker cables / 3 / another place to save your money
  • Speakers / 10 / very very high cost to benefit ratio. Spend your money here.
  • Listening room / 9 / an excellent place to put your money. DSPs have revolutionized audio reproduction
In summary, buy the best speakers you can afford, and invest in something like Dirac Live or learn how to use REW and buy a MiniDSP HD to implement the filters. Almost everything else is a gross waste of money.
128x128phomchick
Cable's,  amplifiers,  source, pre-amp,  speaker's!, very good speaker's will yield everything up stream without spending thousand's of dollar's on speaker's! 
Amg56
. Guess you missed the point. I did my test with the intention of  hearing the entirety of my family of upgrades removed to judge the overall effectiveness of the lot of them.  It was more than a bit biased by expectation I suppose, but did show me what the entire group of upgrades summed up to.  
Maybe calling bs was a bit hasty, no?
you assume I was looking to the stripped down system in the hopes of it being a permanent change.  No. Just a bit of education.  And a chance to play with my toys. 
i stand by the results, though I have only a non-audiophile friend  to confirm them. 
I still can’t grasp why a number of forum members feel they should try to save the rest from what they consider unworthy.  No one stole my money and left a bi-wire set in its place.  
This is a Great Article.
I have been a Musician for over 50 Years.
I have Recorded in several Hi End Studios and still play live.
I worked for ADS Speaker Co, sold Hi Fi in a retail shop and repaired musical instrument Electronics.
From my learning I was led to believe all Hi Fi is The Reproduction of Music where Recoding is The Production of Music.
They are two different Electronic Standards.
The above article is right on.
Besides budget In Selecting Products its all about your ears and what they know and your personal taste.



Before I started reading Audiogon, I was not a tweaker. Since, I have made many
tweaks and modifications to my system.
At this point I’m confused as to whether all the thousands of dollars spent were worth the investment. Each tweak seems to breed a new one.
I think I was happier before I started!?!

There is so much misinformation here. It is a minefield. Fuses for $100’s, contact paste for connections 100x more than toothpaste, interconnects and cables for $2,000+ ... it is all nonsense. The mark ups are outrageous. It is insulting to most decent honest folks trying to make real audio components that actually do something. Of course, component manufacturers are careful not to draw attention to this nonsense because they know that half a dealers sales profit can come from silly senseless audio jewelry trinkets that do nothing but soothe audiophile egos and separate fools from their money.
I agree that room dynamics and speaker placement are crucial, but for me, I think Elizabeth is more on the ball. I've only been at this for about a year now (although I've probably crammed in 3-4 years of research), and I find that the front end is every bit as important as the final output. I operate at a lower cost level than Elizabeth, but if the front end components are all well-researched and well-matched, they can make a lot of different speakers sound very, very good. I was amazed at what my growing set-up was doing for the sound of my vinyl, but it wasn't until I got my MF Dac that I actually considered getting out of vinyl. Having said that, I think I'll hang on the Thorens and GSP reflex M, as they are not a huge outlay for quality of sound they produce.
And it's too bad that some of the recordings are so poor. I'd probably have to find some way of including some tone controls in the system if I ever want to listen to some of my older vinyl and CDs.