Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
jafant
Robin, the CS series have enough internal enclosure volume to tolerate the added bulk of the upgraded crossovers. We'll produce upgrades both inboard and outboard.
It it would seem to me that if one would consider outboard cross-overs then the option of using active cross-overs would seem like a worthy consideration?
Unsound, you raise a strong, well grounded germ of an idea.

But in my experience and knowledge, active crossovers are a fairly blunt instrument. Their downfall is that they generally assume a very simplistic model of the driver and therefore give a very generalized net filter effect without the necessary interactive nuances between the signal and reactive driver loads.

Those interactive anomalies can be addressed passively. My study of the progression of Thiel designs shows drivers that are better and better behaved as time goes on, requiring simpler crossovers. But they're still not perfect.

As I mentioned way back, Jim's first purest ideal speaker (never brought to market) included separate amps with active crossovers driving each driver with its Zoebel / Boucherot and other corrections attached to it. That hybrid of active / passive offers everything via control of the factors as well as control over or elimination of all the input variables that cause so much trouble (cable reflections, etc.) With the line level signal presented to the inputs, everything else happens "in the box". We decided, as a young, green, minimally capitalized company, that we couldn't afford to educate our customers, as well as the high risk of failure presenting such a wild-card to the market in 1976. Dealers hated the idea of an amp / speaker system that "just worked". Their very existence depended on addressing all those problems . . .

History validates our decision. Today, someone might pull off that feat. I offered this idea (indirectly) to the new Thiel ownership, who thought it quaint and idiosyncratic and didn't want to talk about it.

If a savvy group could buy Thiel's intellectual property (assuming it becomes available), and if the engineering talent could be assembled, I think this solution could make some real waves, especially in how it harkens back to the roots of the company. What if pro-audio / record-makers had such monitors? What if we didn't have to make excuses for poorly produced albums? What if the vast differences introduced by amplifier output particulars modified by cable variables . . . weren't in the picture at all? Just dreaming. 

Thank you for a walk down memory lane.
It seems to me that the eventual future is all digital crossovers and active speakers.  The idea of active crossovers doing the basic separation and then passive components being added to perfect the signal is interesting.  You could have time/phase correct active crossovers that have higher than first-order slopes and then fix driver anomalies passively.  If that's ever been done I've not heard of it.  

I've got some big active ATC 110 ASLs in another system and they use simple active crossovers.  The designer's philosophy (I've read) is that if you make the drivers well enough, you don't need to have complex crossovers.  I imagine if you combined the two types you could drastically reduce passive component count and complexity, have the benefit of higher order slopes, and maybe not lose anything. 

^jimthiel, you hit exactly upon what I thought would be the main concern: driver/total loudspeaker correction. I would have guessed that with the co-axial drivers it might not have been too much of a concern with their mechanical cross-overs. The obvious advantage for those models with bass eq's is appealing of course. Perhaps a fusion of active and passive, or just going digital (which could probably reduce developmental labor hours) might be an option. Of course such an option could provide adjustable bass eq for one's actual room rather than perhaps an otherwise unused anechoic standard.