Duelund DCA16GA


Hi All,

I was wondering if anyone have try this cable? I have never try the original WE cable but I want to buy this cable for my speaker. Other candidate is supra cable.

Can someone give some feedback?

Thanks
santodx5
Has anyone here made a comparison of broken in interconnects made with Duelund dca16ga vs dca20ga yet?  Jeff Day's comments were "very preliminary".  
It would be appreciated if anyone who has had canare or belden speaker cables  can compare the Duelund 16ga to them.
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I’ve been comparing WE16GA, DCA16GA, DCA20GA, and Belden 8402 as interconnects for the past 6 months in my setup (Dynaco ST-35, Jolida Glass-FX DAC III, Hagerman Bugle 2, and JBL C-38s (130a + 175 + 2405).

I started off by making a complete set of interconnects using Belden 8402. The difference between these any my audioquest, crimson, and monster interconnects was astounding. I have never experienced such a magical 3D soundstage from my JBLs. I have loved my JBLs because of their warm, life-like midrange - but had not experienced a soundstage like that before.

I was able to get my hands on some WE16GA and made a few interconnects. I really appreciated the balanced nature of the WE16GA - the Belden 8402 tended to bit a bit darker in the midrange, where as the WE16GA was a little more flat across the frequency spectrum. The dimension wasn’t quite as amazing - but there was still a heightened sense of dimension with the WE16GA compared to past interconnects I’ve used.

I then picked up some DCA16GA - because…why not! My experience with the DCA16GA was very similar to the WE16GA - but with a bit more midrange detail than the Belden or WE16GA. For my system, the DCA16GA has performed very well - it brings in some detail to my already warm tube/horn system.

After reading about the DCA20GA I decided to pick that up as well. After about 2 months of listening - I think I’m beginning to settle in on a favorite. Initially I built a few unshielded cables to test out. The unshielded seemed to have a really nice tonal balance with very nice image-depth. I especially enjoyed the upper range detail it has brought out. Two of my favorite live records: We Get Requests by The Oscar Peterson Trio and Waltz for Debbie by Bill Evans have become especially enjoyable - I *love* hearing the depth and space of the lounges and the details that surround the audience.

My latest excitement is with Shielded DCA20GA interconnects. All of the previous interconnects mentioned needed a considerable amount of burn in time until they hit their stride. For whatever reason, the Shielded Version of the DCA20GA stood out immediately - in a *great* way. The midrange has thickened up. I’m not sure how to describe it, other than the music is dense, pleasurable, and excitingly spatial.

One last bit of info: I have also been experimenting with mix and matching all these different cables - trying to find the best placement for the cables in my system (i.e. what cable works best between different devices in my signal chain). I have found that it is really interesting how important synergy is - especially with these tinned copper cables. It is a fun and worthwhile journey - at a very low cost.



what more can I say - I am *enjoying* the music.



cheers!