Jazz for aficionados

Frogman, that Red Garland is on my shopping list, thanks

Enjoy the music.

Although presently I'm focusing on jazz vocal groups, I'm also deeply moved by vocals of a religious persuasion, such as "Motherless Child" by Afro Blue. It seems that all of us were moved by that group.

Never before have I been moved by vocals, minus musical instruments, but they did it; they plumbed the emotional depths of "Motherless Child". While it's not easy finding new vocal groups of this caliber, I'm sure you guys can do it.

Enjoy the music.

Re: Nina Simone, I meant that she is Gritty.

And I haven't read the Jazz times article, but I will. Without reading it though, I think the times have changed. There are plenty of drugs around, but the younger jazz musicians don't have to face the same world now as the 1950's-1970's. Jazz is no longer a sub-culutre of society and our society does not draw from the hip culture of Jazz now. Jazz is un-cool to youth (I know, I teach them everyday). In my opinion, a more fair comparison to drugs and older Jazz culture would be Rap and Hiphop from the 1990's to the present. If we look at those musicians, then drugs are very prevalent and the music relevant. I'm going to read the article for more insight, but I think it's more cultural then drugs on why there isn't to much great jazz today.

I'll say this, Wayne Shorter's band was flat out amazing this last year and Brian Blade (his drummer on tour) has a new band and album out (on Blue note no less) that gives me hope. "Brian Blade and the Fellowship band" and for heavens sake if Brian Blade is within 100 miles of you do yourself a favor and do whatever you can to see him live. He is a breathtaking drummer to watch and listen too. Be forewarned listeners, his music leans towards the avant garde, experimental crowd, but there are plenty of fine piano melodies and some great structure, plus it just sounds amazing. If your a fan of Eric Dolphy, Jackie Mclean, and Andrew Hill then you should find Brian Blade a refreshing new artist.

Also, some cool newer jazz labels to explore which might be closer to the older jazz culture, but with more modern artists:
PI Records
Aum Fidelity
Thirsty Ear
Cryptogramophone
Is Bluenote coming back to the forefront….hmmm?

Ones I have:

African American Spirituals
The Concert Tradition
"Wade in the Water Vol 1"

Chanticleer
"How Sweet The Sound"

"Great American Spirituals"
Battle / Hendricks / Quivar
(slighty operatic) but you know Battle can do no wrong. :)

All three have Motherless Child. Very different versions.

Chanticleer
"Where the Sun Will Never go Down"
Awesome version of "Am I A Soldier of the Cross"

Downhome Southern 'Radio' Gospel:

Dixie Hummingbirds "LIVE"
MFSL Recording

Try the group, Sweet Honey In The Rock, and for the best of both worlds, Mahalia Jackson at Newport, and Jackson with Ellington.

Cheers

HitforHit:

I agree with you about the drugs vs culture thing. I am currently reading a book about how classical music reflected the times and society in which it was written. I think Boxing changed for similar reasons.

I will check out the labels you listed. Old school Jazz by young guys with modern recording methods. Can't get any better than that.

Avant Garde can be very good. Dolphy and Kirk are too examples. But some others just seem to want to be weird just for the sake of being weird.

Thanks for the tip on Blades. I will investigate.

Welcome to the thread.

Cheers