Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
I had original Walsh 2s from 1982-2008, a long time.

Once at an outdoor party I had them cranked to max off a high quality Tandberg 80 w/ch receiver.   No problems.   The music sounded loud and live in the adjacent field over 50 yards away.   With good quality amplification, I always considered all OHM Walshes about as indestructible as they come.   They still sounded great in 2008 though I never cranked them that loud probably and age will eventually do in anything.   Plus its always possible to blow up speakers if one goes to extremes too quickly or an unexpected accident happens.  Caution when testing the limits is always advised.   I've always found a lower power amp that clips sooner is more likely to cause speaker damage than a higher powered one that can go loud without strain.   In general I think teh OHM walshes are capable of going full range louder and clearer than most any other passive speaker in their price range.   So you will be in a very good place to start after the upgrade.  I am very confident of that.
Rather than a computer for streaming music, for WAF consider a tablet with digital output to external DAC perhaps. Or I find analog sound out from my newer Iphone 6 running good quality streaming software to be very good quality these days. I use Plex to stream from my music server mostly with my systems. Plex runs on browsers, tablets, phones, and various other common platforms. Other apps that stream from internet music sources do as well.

Applying just moderate caution, I’ve used teh 500 w/ch BEl Canto ref1000m amps with all my speakers, large and small, at all volumes with no issues.

My speakers range from tiny Realistic Minumus 7s on the deck to slightly larger Triangle Titus to slightly larger Dynaudio Contour 1.3 mkII to somewhat larger OHM 100s to my big OHM F5 series 3. Sounds great with all.

The rule is to experiment with high volume gradually, especially with more dynamic recordings. You are usually good. If you hear any signs of audible distortion, then back off until the cause is clear and addressed.

500 w/ch is probably overkill for the more efficient Triangle Titus speakers, but I think the power benefits all the others to some degree as well, though I could probably get by with less.

The big OHM F5s in my larger room are teh only ones where I think I might feel I was missing something. The smaller OHM 100s could probably get by fine in most intended rooms with a good clean 80 watts or so. Once I used 180w/ch TAD Hibachi amps in place of the BCs when they were out for service. They did great with the 100s in my 12X12 office room. The big F5s in my larger listening room did very good as well but they definitely ran out of gas a tad in comparison at some of the higher listening volumes I do in there.

Remember that power demands increase exponentially with volume so having extra power in reserve when needed is always a nice insurance policy at minimum I find.
Just to correct the record, when I asked to John S. on the phone, he theorized that the damage I did to the walsh 2s was to the voil coils and not the surrounds. Even though the speakers are over 30 years old, he said that the surrounds were probably ok as they are made of cloth and are durable.
Mapman: I remember your earlier post about playing the W2s outdoors.

Just to be clear, I didn’t have any issues with my speakers when using my Onyko receiver (100 wpc). It was only when I put the Parasound 1500 into the mix that the problems occurred. I will be more careful in the future.

Using my Samsung Note 5 to stream music is an option that I can look into, but the B&K tuner seems ok now that I have removed the W2s from the mix. I think I had already blown the voice coils by that time so it only appeared to be missing the bass. With the W1s installed, all is well with the tuner again.

I want to thank all the posters to this thread as I’m sure my system would be pretty pathetic without all of the input. My good choices were a result of following the suggestions found here.

When I mentioned this thread to John S., he just chuckled.

Also, any feedback on Jim Smith’s book (Get Better Sound)?
It's a good resource.  Jim Smith knows his stuff.  I heard and bought a pair of Maggie's once from his old shop Audition in Birmingham Al.  I strived to get them to sound as good at home as they did there.