I had a chance to do some more testing with the Tascam DR60DmkII.
I ran some pink noise spectrum tests on my speakers with a digitally recorded pink noise source file. I had a Shure SM81 mic connected to the mic pre-amp on the Tascam, and I needed the highest gain setting (there are three, LOW, MID, and HIGH) for pink noise at about 83 dB at the mic.
I then recorded 10 minute files with the mic pointed at different positions, for playback later to a spectrum analyzer.
This system was a lot cheaper than buying a dedicated stand alone sound measurement system. Most mic pre-amps (with phantom power) are more expensive than the Tascam. So you basically get the digital recorder for free.
The Tascam specs on the mic pre-amps indicate the input levels can be as high a 0 dBu (on the LOW gain setting), so there should not be an issue using a phono pre-amp with a balanced output, assuming it can drive the 2K input load in the Tascam. Only compromise I can see is the DR60DmkII only records at 24BIT/96K, unlike the DA-3000 which can record up to DSD frequencies. A further advantage to the little DR60D is the use of discrete components in the input pre-amps,
"The DR-60D's HDDA mic preamplifirers utilize discrete circuitry and premium parts approved after months of evaluation tests." -- Tascam
Kind of wished they would have used those in the DA-3000.
I ran some pink noise spectrum tests on my speakers with a digitally recorded pink noise source file. I had a Shure SM81 mic connected to the mic pre-amp on the Tascam, and I needed the highest gain setting (there are three, LOW, MID, and HIGH) for pink noise at about 83 dB at the mic.
I then recorded 10 minute files with the mic pointed at different positions, for playback later to a spectrum analyzer.
This system was a lot cheaper than buying a dedicated stand alone sound measurement system. Most mic pre-amps (with phantom power) are more expensive than the Tascam. So you basically get the digital recorder for free.
The Tascam specs on the mic pre-amps indicate the input levels can be as high a 0 dBu (on the LOW gain setting), so there should not be an issue using a phono pre-amp with a balanced output, assuming it can drive the 2K input load in the Tascam. Only compromise I can see is the DR60DmkII only records at 24BIT/96K, unlike the DA-3000 which can record up to DSD frequencies. A further advantage to the little DR60D is the use of discrete components in the input pre-amps,
"The DR-60D's HDDA mic preamplifirers utilize discrete circuitry and premium parts approved after months of evaluation tests." -- Tascam
Kind of wished they would have used those in the DA-3000.