Ok. So I rolled in the stock EL34s at V1 & V3 matched with my EH KT88s as suggested by Paul, and I've listened to about 20 songs (some on cd some on vinyl) that i know very well, and the first thing i noticed was that the highs were a bit rolled off; you could say a little warm or softer. Which isn't necessarily a bad thing because the EH KTs can sound bright. The bass has nice punch, and the mids are lush and defined (just like having all 88s in), but the added warmth of the highs makes for a different and pleasant setup. Its not better, just different. Also this setup makes for a friendlier volume control. I have the TAD150 pre, and set between 9-10:00 it has good definition now. With all 88s, I was at high volumes with the dial at 10-11:00. Not cool when the wife and kids are sleeping. Yeah, i sneak in late night listening. I'm going to try the Class A setup with all EL34s next, and then i think I'm going to get those Penta KT88s. After that I'm going to chill for a while cause all this new vinyl is killing my budget - got a an MMF-7 (first table ever) and I'm loving it.
Review: Tube Audio Design TAD-60 Tube amp
Category: Amplifiers
I'll start by saying that I've been into higher-end audio for a few decades now, and quite a lot of equipment has been through my hands to this point (half the fun of this hobby). Somewhere around 12 years ago, I'd come to realize that I preferred tube amplification over solid state in terms of an overall involving presentation of the music, and ever since then have owned tube stuff (brief flirtations with various solid state devices only helped to enforce this notion).
Which brings me to the discovery of Tube Audio Design, the provider of components conceived by Paul Grzybek (of Bizzy Bee Audio fame), built to his specifications by a very reputable Chinese manufacturer, and then hand-finished by Paul in his shop located in Wheaton, IL. (His offerings are available exclusively online; detailed product info is found at http://www.angelfire.com/biz/bizzyb/index.html)
The TAD-60 amplifier is built like the proverbial tank; overall appearance and heft (not to mention its specifications) in my experience indeed belie the modest asking price. With its stainless steel chassis and almost 1/2"-thick black anodized face, the relatively compact package portrays a masculine but elegant stance (also included is a lift-off stainless steel tube cage). All function controls are easily accessible from the chassis top, as are the tube bias test-points and adjustment pots (a digital voltmeter is included too).
EL34-based, the TAD-60 is rated at 60wpc in UL-mode, and 30wpc in switchable-on-the-fly triode-mode. Other standard features include adjustable input sensitivity and adjustable global feedback, adding flexibility to a host of possible preamp and speaker combinations (the input sensitivity control may also be used as a volume pot in a single-source direct input configuration).
Listening to the TAD-60 after the recommended 30 hour break-in period and beyond, the music really began to open up, and along with the TAD-150 preamp, I was experiencing just about every CD I spun in a whole new manner - I'm particular to small-ensemble jazz and female vocals - there was an in-the-room conveyence of the music that I found startling at times - present is deep, tight bass, a glorious midrange, detail, depth, and an overall natural presentation that allows hour after hour of enjoyable listening. I've found that the feedback adjustment permits a fine-tuning of balance between dynamics and warmth, and was able to "lock in" the amp to my speakers for what sounds to be a perfect sonic match (just a tad of feedback along with the triode-mode setting seems to be the magic spot in my case).
Without attempting to describe every sonic attribute I'm hearing (though I'm happy to answer any particular inquiries), suffice it to say that the TAD-60/TAD-150 combination strikes a synergy and glow that is especially musical, and is among the finest I've had the pleasure of owning. The TAD-150 has already been highly praised in at least a few user and online reviews, and I bet the TAD-60 will soon be recognized as a similar standout. If you happen to be in the market for high quality, reasonably priced, excellent-sounding gear, just take a listen for yourself, and you will hear what these components can do for music. (Paul also offers a 15-day in-home trail period.)
Note: I have no financial interest or business relationship with Paul Grzybek or Tube Audio Design.
Associated gear
Magnepan 1.6QR, California Audio Labs CL-10, Music Hall MMF-5/Goldring G1012
Similar products
Conrad Johnson MV55
Sonic Frontiers SFS-40
VTL 50/50
Golden Tube SE-40
ASL AQ-1004
Sound Quest SQ-88
I'll start by saying that I've been into higher-end audio for a few decades now, and quite a lot of equipment has been through my hands to this point (half the fun of this hobby). Somewhere around 12 years ago, I'd come to realize that I preferred tube amplification over solid state in terms of an overall involving presentation of the music, and ever since then have owned tube stuff (brief flirtations with various solid state devices only helped to enforce this notion).
Which brings me to the discovery of Tube Audio Design, the provider of components conceived by Paul Grzybek (of Bizzy Bee Audio fame), built to his specifications by a very reputable Chinese manufacturer, and then hand-finished by Paul in his shop located in Wheaton, IL. (His offerings are available exclusively online; detailed product info is found at http://www.angelfire.com/biz/bizzyb/index.html)
The TAD-60 amplifier is built like the proverbial tank; overall appearance and heft (not to mention its specifications) in my experience indeed belie the modest asking price. With its stainless steel chassis and almost 1/2"-thick black anodized face, the relatively compact package portrays a masculine but elegant stance (also included is a lift-off stainless steel tube cage). All function controls are easily accessible from the chassis top, as are the tube bias test-points and adjustment pots (a digital voltmeter is included too).
EL34-based, the TAD-60 is rated at 60wpc in UL-mode, and 30wpc in switchable-on-the-fly triode-mode. Other standard features include adjustable input sensitivity and adjustable global feedback, adding flexibility to a host of possible preamp and speaker combinations (the input sensitivity control may also be used as a volume pot in a single-source direct input configuration).
Listening to the TAD-60 after the recommended 30 hour break-in period and beyond, the music really began to open up, and along with the TAD-150 preamp, I was experiencing just about every CD I spun in a whole new manner - I'm particular to small-ensemble jazz and female vocals - there was an in-the-room conveyence of the music that I found startling at times - present is deep, tight bass, a glorious midrange, detail, depth, and an overall natural presentation that allows hour after hour of enjoyable listening. I've found that the feedback adjustment permits a fine-tuning of balance between dynamics and warmth, and was able to "lock in" the amp to my speakers for what sounds to be a perfect sonic match (just a tad of feedback along with the triode-mode setting seems to be the magic spot in my case).
Without attempting to describe every sonic attribute I'm hearing (though I'm happy to answer any particular inquiries), suffice it to say that the TAD-60/TAD-150 combination strikes a synergy and glow that is especially musical, and is among the finest I've had the pleasure of owning. The TAD-150 has already been highly praised in at least a few user and online reviews, and I bet the TAD-60 will soon be recognized as a similar standout. If you happen to be in the market for high quality, reasonably priced, excellent-sounding gear, just take a listen for yourself, and you will hear what these components can do for music. (Paul also offers a 15-day in-home trail period.)
Note: I have no financial interest or business relationship with Paul Grzybek or Tube Audio Design.
Associated gear
Magnepan 1.6QR, California Audio Labs CL-10, Music Hall MMF-5/Goldring G1012
Similar products
Conrad Johnson MV55
Sonic Frontiers SFS-40
VTL 50/50
Golden Tube SE-40
ASL AQ-1004
Sound Quest SQ-88
- ...
- 127 posts total
- 127 posts total