D-SONIC SOA Class-D Core Amps. The best Class-D ?


Owner/Designer Dean Deacon of D-Sonic in Houston in recent months dropped using the B&O ICE amps which he now only uses in the surround channels of his multi-channel home theater amps. He now uses a new Class-D amp in all of his Magnum2 mono and two channel amps which he states is the most technically advanced Class-D amp on the market, called the SOA Class-D core amps. The recent review in 6Moons of his new M2-1500M amp concludes its the closest that Class-D has ever come to tube amps in the upper mid-range and high frequencies.
Anyone bought or heard recently the D-Sonic M2-1500M or the M2-600M? What are your opinions?
audiozen
Thank you Tan, please keep us posted as the sound of your D-Sonic amps evolves...

... Meantime Tim, what's new with your quest?

G.
Tan, good luck with your new amps. I have had my M2-600 pair for a year and a half and I have not yet finished digging all the best sound possible from my system since they replaced an aging pair of Atma-Spheres that died together when an errant power regenerator went crazy. As I have written earlier in this thread, the break-in period is quite lengthy, although the amps show signs of excellence along the way. They are very revealing of problems with component and EMI/RF interference, cartridge setup, cabling, poor recordings, room tuning, etc. and drove me to make more than fifty significant changes in my system since new. They really came into their own when I discovered how much they like heavy brass footers and maple platforms. Most recently, I acquired a used W4S STP preamp and I am astonished at the synergy between them. I currently have my amps plugged directly into their own dedicated Maestro outlets through HCF Top Gun PCs and connected to the STP through heavily shielded Sonoran Plateau balanced interconnects. The STP is powered from a PS Audio Premier using a PS Audio SC Premier cord. All components use Eden Sound Bear Paws or Terra Stones on individual maple platforms suspended on iso-blocks. Care may need to be taken in physical placement of the amps as proximity to some components may result in stray radio programs mucking up the noise floor (a Thor phono stage needed to be relocated in my system).

It seems to me that the more I do elsewhere in my system has caused the D-Sonics to continue to rise to the challenge of making better sounding music. After this much time, The only bone I have to pick with the amps is that they made me work too hard on bringing the rest of my system up to minimum audiophile standards in order to get the best from them.
Thanks Mcbuddah.
Mine are on their own amp stands which I already had.
I also have ISO-Blocks under each leg of the amps.
I am sure I will make other improvements after they have
had time to break in.
I do not however plan to replace any of my equipment.
Hi Guido,

G.

On your 7/20/14 post on this thread you wrote:

" Meantime Tim, what's new with your quest?

G."

Just curious as to which Tim you were directing that at? I know you're aware that I'm currently having James Romeyn build a pair of mono-blocks for me that contain the same power modules used in the D-Sonic M2/M3-600 monoblocks, the Anaview/Abletec1000-1300 modules, and I thought you might have been thinking I was following this thread.
Actually, I just read this thread today, August 26th. Very interesting thread and I'd be happy to chime in with details of my quest if you were directing your question at me. If not, then never mind and please disregard.

Let me know.
Thanks,
Tim
Hi Noble Tim.... Yes, wrong thread, but... Right Tim!

How are things moving along with your Anaview/Abletec1000-1300 amps to be?