Amplifiers:A Keeper for Life. Do you know of one ?

I love my Spectral DMA 180. I had a DMA 80 for years and was very pleased. I only upgraded because I have Apogee Calipers and could not really drive them as I wanted with the lesser powered 80. The unexpected thing about the 180 was not the louder volumes it could safely play, but the low level detail it rendered was astonishing. I was amazed at the things I'd never heard before from my recordings, especially during soft passages. The Spectral, however, is extremely revealing and will definitely show the faults of whatever it's driving as well as any weaknesses of the preceding components. MIT cables are a must and the better cable you can buy, the greater the rewards. I had the 80 for 8 years and expect to enjoy the 180 for at least as long.

Original Son of Ampzilla. I am stunned by the effortless, deep delicate, clean sound. I know that a lot of the original Ampzillas were unstable and a pain, but mine is fine. I use a tube pre and the combo produces a sound that is warm, clean and tight.

My modified Music Reference RM9 has taken on several comers and whipped 'em all. The latest was a CJ MV60SE last weekend. I'm not saying I'll never sell, but something better hasn't come along yet.

Oz

H2O Signature. The amp that owners of above amps are abandoning them for.

So many different keepers. Interesting.