Zingali Overture series thumbs "up" or "down"


I am unable to demo the Zingali Overture 2s and 4s. Does anyoone have first hand experience and/or useful coments? (no dealers please). Thanks
davkle
Monstrosities from Levinson? I dont understand .... What was driving the Zingalis when you heard them. By the way, of the VERY positive feedback I have rcvd on either the 2s or 4s ALL have said they dislike the 3s (which has a 6 1/2 vs 8" woofer that seems poorly matched). Thanks for the feedback. Happy listening. David
I purchased a pair of Overture S-4's only after a prolonged burn in period. On first connecting them in my system they were constipated and edgy, but after about one hundred hours the magic happened. The mids are the most natural I have experienced in my small (12 X 14 w/ 9' ceilings) well treated listening room, and the highs are magical.They also produce fast tuneful bass into the upper 20hz range. I found they match exceptionally well with tube electronics, and they are definately rewarding of quality equipment. Be careful with speaker cable choices. The very good Harmonic Tech PRO-9'S make them sound lifeless and listless. After experimenting Audience AU 24's seem the perfect match. Dynamics and detail are astounding and they never sound bright or forward. These are exceptional speakers.
Overture .4s is quite simply the best speaker I have ever heard. Ultra natural, gorgeous bass, and the most marvellously open midrange, totally box-free sound free of any coloration.
The ultimate test is piano - and through the Zingalis, Brahms's Variations and Fugue on a theme of Handel (Sheffield Lab) transports me into a recital room, positioned 20 feet from the instrument, indistinguishable from the real thing.
They are also remarkably free of any distortion, so that opera music that might generally struggle to remain defined and dynamic through all other speakers I have previously owned, is played effortlessly, and with natural highs and crescendoes that are creamy smooth yet not lacking punch.
I understand Zingalis fly with low powered valve amps. Yet I can't imagine it gets any better than my setup, and I'm feeding them with an Accuphase 406V that is rated 170 wpc. Front end is Michell turntable, Sumiko Pearwood cartridge, Plinius phono stage and Morch arm.
Clearly there are no hard and fast rules, and my dealer tells me they are unfussy of amplification.
I am set on Zingali Overture speakers for a new system (Audio Note Meishu integrated amp) and I'm debating on which model to go for. I heard the .3s and agree they were superb in the high and midrange but that bass left something to be desired, so leaning more toward .2s or .4s. My new listening room is small (12x14 or so), with 8 foot ceilings and a floating wood floor w/large area rug(s). Would the .4s potentially be "too much" in terms of boominess? The .2s are also more in my initial price range although I would pay more for the .4s if people feel there are significant advantages.
Judging by the lack of reviews for 6+ years, I guess not too many are using these. I just picked up a slightly used pair over Overature 4s and am still adjusting them and learning how to place them in a system. The dealer had them in a SET system with carefully selected music and they sounded first rate. Reading others posts, I would go along with Skipperrik and Ciscomc. I find the bass to be great. The detail to be excellent.Good bass extension, deep and powerfull,tight control and no boom. The bass is much more than i would expect from two 6" woofers. The midrange tends to be a "shouty and PAish" (with the wrong cables) as someone stated, so, I hope this goes away with burn in and the right cables. As stated, the cable selection does have a BIG inpact. Just by trying the cables on hand, I am finding that Analysis Oval 9(large braded copper) sound much better (better tonal balance and softer mids) than Cardas Quadlink (which i tend to perfer 99% of the time) Cardas tends to feed the midrange shout more than tame it. The speakers tend to sound best on solo insturments or simple arrangements. They did sound poor to average on hard rock or complex music like Joe Walsh's "Turn to Stone" (which, btw, is a AWESOME SoundLabs). They sound excellent on the Eagles' "Hotel California". These speakers are also very dependant on placement from the walls. The dealer suggested really close to wall and even room corners. I think this gives the better Hz balance, but not the best soundstage and/or image. The space between the speakers needs to be somewhat larger than I am used to too, which looks wrong but sounds better? IMO, they are really tube speakers. Right now, I am using an el-cheapo 60w UL-PP, so with a better amp they would sound better.

All in all these may be an above average speaker with allot of effort, but I am saving $$$$ for another pair of Soundlabs. I really NEED my Soundlabs back !!!!