You're probably listening too loud


After many years of being a professional musician and spending hundreds of hours in the recording studios on both sides of the glass, I believe that most listeners undermine the pleasure of the listening experience by listening too loud and deadening their ears.

As a resident of NYC, there are a million things here that make the ears shut down, just the way pupils close up in bright light. People screaming, trucks, subways, city noise. Your ears keep closing up. Then you go home and try to listen on the hifi, but your ears are still f'kd up to get to the point. Try this experiment.

Hopefully, you can all have some degree of quiet when you can sit down and listen. Start with a record or CD of acoustic music with some inner detail and tonality. I like to use the Naim CD with Forcione and Hayden, or the piano/bass CD with Taylor/Hayden. Just simple, relaxing music. Real instruments doin' real things.

Start by sitting back and leaving the volume just a little lower than you find comfortable. Just like you want to turn it up a bit, but leave it down. Sit back and relax. I would bet that in 7-10 minutes, that "too low" volume is going to sound much louder. That's because you're ears have opened up. Now, without changing anything, that same volume is going to sound right. Step out of the room for a second, but don't talk with anybody. Just go get a glass of water and come back - now, that same volume is going to sound louder than you thought.

Sit back down and listen for a minute or two - now, just the slightest nudge of the volume control upwards will make the sound come alive - the bass will be fuller and the rest of the spectrum will be more detailed and vibrant.

Try it - every professional recording engineer knows that loud listening destroys the subtleties in your hearing. Plus, lower volumes mean no or less amplifier clipping, drivers driven within their limits and ears that are open to receive what the music has to offer.

Most of all - have fun.
chayro

Showing 3 responses by jimjoyce25

Unsound: Fascinating experiment with your trombonist friend. People accustomed to hearing acoustic instruments in a large auditorium have no idea how loud they sound in a small space like a home.
Learsfool: Interesting that you should take my comment as referring to musicians such as yourself. Instead, I intended my comment to refer to people who attend concerts and do not play instruments in their home, and therefore have little or no experience with how the dynamics are changed within a small space.

Your comment notwithstanding, I would suggest that most non-musicians do indeed have no idea of the sound levels of instruments played in a small space such as a home.

For example, I believe that most people who have never heard a violin or piano played by a competent musician in their living room have no idea of the dynamics of which that instrument is capable in a small space.

Similarly, even most people who do have a piano at home have no idea of the difference in dynamics that would result if their piano was replaced by a concert grand.

I would also suggest that most people have no idea how loud instruments played in a home sound compared to the level at which most home stereos are played. The story told by Unsound is particularly interesting in this regard, since he said that his friend was a musician, and even he was astonished at the relative difference in sound level between his instrument and the stereo system.

Let me further suggest the following: Like a musical score, the written word is often ambiguous and susceptible of multiple interpretations. Most people learn relatively early on that if their interpretation of someone else's words results in the sense seeming "bizarre," there is usually another, and more likely, interpretation that makes more sense and does justice to the speaker's intelligence and intent.

And most people also learn early on as part of their basic social-skills training that it is often useful to think for a moment what that other interpretation might be, before blurting out that the speaker has said something "bizarre."
Learsfool---You are a gentleman, thank you for your kind words.

I think this subject has something to do with the illusion created by our minds in the listening process and wanting our systems to sound "real."

When people say that their system makes the players sound like they're in the room, we sort of know what they mean (and at some level we want the same thing).

But having a string quartet playing in my living room at concert volume would probably send me running into the basement!

And so, when we confront the illusion of a system playing a recording with the reality of an actual player in the room (as in Unsound's experiment), my guess is that something in the mind has to give.