You're overbudget on gear, one more thing...

I wasn't saying it was an easy endeavor, just that I believe in the reality of phenomenal presses compared to others of the same runout numbers, lots of people downplay that it isn't real, or it's foolish to spend that kind of money on an album. Yes, it takes lots of legwork, there's lots of work I hire out, and others do too, same difference. I don't have the manpower or time to go through as many copies as Better Records does, and that's what the prices reflect. 

Though I will probably never purchase a "hot stamper", I do believe in the theory somewhat. We are talking about physical action that manually presses a vinyl puck into a record with a metal plate that is eventually changed out during a pressing run due to wear. This would mean to me that each press will be slightly different from the next as the plate microscopically wears from very first few in the run to the last before it is changed. If this wasn’t the case then the stamper could be used indefinitely, but they don’t do that. I’ve got multiple pressings of several albums and they do exhibit some differences on my system. With a less revealing set-up the differences are probably inaudible. I think one could locate their own "hot stamper" just by crate digging and doing your own comparison. The theory seems sound to me, and the buisness model is creative. I wish the seller luck on his sale.