2. amps-preamps
  3. 126223-78409

Wyred 4 Sound or PS Audio

Hello, My name is Mark and I am a hifiaholic. It has been 5.5 hours since my last purchase: W4S mAmp mono blocks with the wiring/post upgrades - these will replace a Pro-Ject Amp Box RS, my gateway drug and a well-loved member of the family; I'm still a bit unsettled about the separation.

I am also experiencing cravings to replace the preamp, also a Pro-Ject (Pre Box RS Dig) with something with HT bypass to once again make use of the extra speakers and (really good)HT receiver on hand. My dilemma is this: I have the good fortune of two great deals: a new PS Audio BHK Signature Preamp at 50% off retail, or a new W4S STP-SE Stage 2 modified Preamp for $1k less than the PS Audio. I know, such a sad story.

I have recently lucked into used PS Audio PWD MkII and PWT, and have a PS Audio NuWave Phono Converter. Seems like I'm chasing the PS Audio dragon, and my pupils do dilate when I see the BHK, but I have read such amazing things about the W4S STP - and this passive/active preamp idea is super intriguing - that it is making the decision a tough one. Would the amps have better synergy with a pre of their own kind, or would the tubes in the PS balance perfectly with the D-Class W4S? Is the PS deal just too damn good to pass up and everything else be damned, or is the W4S really the sleeper deal of century? Does anyone have any firsthand knowledge or wisdom to impart. Shouldn't there be coffee and cookies around here...


markkelly70

Showing 3 responses by auxinput

auxinput
2,920 posts
 

hah, you could not have picked two preamps that are more different than those!

I do not have direct experience with either of these, but the W4S STP looks like it is going to be very much like a passive preamp, but with gain applied to the voltage so that it can drive the demanding impedance of amps. This means that the STP is going to be the most transparent to the incoming sound waveforms.

The PS Audio BHK, on the other hand, has a 12AU7 tube gain stage and a Class A discrete output stage. These two stages are going to soften the "square wave" nature of the waveforms coming from the DAC. Since your PWD DAC already has a Class A output stage (and it is written that this DAC will have a slight high-frequency rolloff), pairing with the BHK might put too much of a "laid back" character on the sound (losing even more high frequency detail and clarity/punch).

I experimented for a little while with Class D amps, but discarded them when I figured out that they just did not have enough current to drive certain speakers. I don’t know your synergy, but my experience with Class D seemed like a very nice tube amp. It had a nice full midrange, but lost bass/midbass punch and high frequency excitement.

Not knowing your system or how things sound, I would probably pick the STP with your combination of equipment so that I could keep the most amount of resolution of the sound.

auxinput
2,920 posts
 
@markkelly70 - I have had Klipsch speakers before.  I don't know if this is possible with your model, but see if you can take out the horn and apply dynamat to the backside of the horn material/plastic.  This will calm down the resonance/vibration of the horn plastic and will calm down the effect of the horn itself.
auxinput
2,920 posts
 

I’ve done a lot of experimentation with Class A circuits. Class A is an excellent way to smooth the "square waves" from DAC and translate more bass and a more natural sound.  I have found that the best number of Class A circuits in an entire audio path is two (meaning from source CD/file all the way to speakers).  There was still an excellent amount of quickness, attack, punch and clarity.  However, once the audio path contained 3 Class A circuits, I started experiencing the slow down or laid back affect where I would lose resolution/punch in the bass/midbass and the high frequencies definitely started rolling off. Essentially, the sound started becoming a lot warmer/softer/slower. This was not an issue with power supply, as the problem still occurred if I split the Class A circuits between devices (i.e. one Class A in DAC and two in preamp).

If you combine the PS Audio PWD with a BHK, I see three potential circuits that would affect this. One Class A circuit in the DAC, and one Class A circuit + tube gain in the preamp. I suspect the 12AU7 tube stage is going to do something very similar to a Class A stage. This may or may not push your music into the "laid back" area, it highly depends on amplifier, cables, speakers, etc. I can only speak from my personal experience with pieces of equipment.

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