Worth pursuing analog sound from digital?


Hi all,

I recently acquired a PS audio Nuwave dac which has eliminated most of the digital harshness compared with my old dac but it's still not as smooth and harsh-free like vinyl. I was wondering if it's worth pursuing that analog sound from digital without spending a fortune and if it's even possible. I know lots of digital lovers will say digital can be as good as vinyl but is it really?   
jaferd

Showing 11 responses by rauliruegas

Dear @jaferd and friends:Other advantage for digital and disadvantage for LP is that as everything in digital ( celphones, computers, audio, etc. ) " almost every day " are new advances in the overall digital technology and seems that that digital trend is endless.

In the other side LP has not that kind of development, as a fact the LP " technology " is steady for many years now: just stop it, there are nothing really new on cartridges, TTs, tonearms or the LP it self. Only tiny tiny refiniments that at the end is more of the same. Has no future as true up-grades/up-dates like digital.

For years the best recordings came from D2D recordings ( Sheffield Labs or M&K. ) or those " one side only " Clarity Recordings and Stereophile ones or the DMM by Stockfish or the vintage MoFi UHQR or even the digital LPs from the late 70's early 80's like Telarc or Delos or Denon PCM that 70%-80% of them performs really good and not easy to detect are digital recordings and when digital was just in the begining.
I own several titles of all those kind of recordings that are in a different league that any other LPs.

The last D2D samples I bought came from Acoustic Sounds and are nothing special the old ones named were a lot better recordings.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.


Dear @fleschler  : I own all the UK and Capitol Beatles LPs and you are rigth where the Capitol are not listenable.

@geoffkait  even if what you said is true with today DACs the souns is really good and this is what we are talking about.

R.
Dear @fleschler  : """ we hear in the analog-realm.... ", yes that's what we/I think  till I read/learned that we have an ADC next highligths about but you can read the whole article there:


"""  the ear. This small organ has quite a few surprises in store for us. We' see that it's literally crammed with equalisers and dynamic compressors, including a multi‑band one. It even includes an extremely efficient filter bank, as well as a highly sophisticated analogue‑to‑digital converter.

The Inner Ear: Multi‑band Compression, Pitch Tracking & ADCThere are two kinds of hair cells. The outer hair cells are the actual receptors. When the tectorial membrane moves, so does the hair on the the outer cells. This movement is then encoded into electrical digital signals and goes to the brain through the cochlear nerve.


With the hair cells, we come to the end of the audio path inside the ear. Hair cells are neurons, and the purpose of the outer hair cells is to convert the mechanical vibrations that come from their cilia into nerve signals. Such signals are binary (all or nothing), and seem to be completely decorrelated from the analogue signals to which they correspond. In other words, they're digital signals, and the inner hair cells are analogue‑to‑digital converters. """


Btw, @tzh21y , yes and agree with your post.


Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
Dear @john1 : I never take or took the word of other to make my statements, always are first hand experiences.

The link I posted was only as an example of an analog/LP lover that knows digital is just great !.  Got it?

R.
Dear @elliottbnewcombjr : In my post the reference to you was only because you posted that analog/LP is " an unbroken ribbon and digital is an assembled chain " and the facts/what I explained says that LP is an assembled chain and worst than the digital medium.

In that post I said that each one of us preferences are non-questionable are out of question.

Against all the facts I explained in that post your preferences, the other gentleman preferences and my preferences are only that " preferences " and can’t change in anyway those facts and the main fact says: digital has quality superiority over LP and was already explained.

That we love the worst medium and even " die for " ( LP ) does not change the facts and only says that that is what we like it because it’s what we are accustom to, it’s our music reference instead that our reference be LIVE MUSIC seated at nearfield position.

Any one of you can have experiences of live music at nearfield position and you will find out that does not exist almost nothing of the LP main characteristics we love as: warm, sweetnees, relaxed and the like and you will learn that real music has a natural brigthness, agressive, extremely powerful and dynamic, not very well defined soundstage and could be even with some harsness.
We have to remember that recording microphones are " seated " at nearfield position and that’s what pick-up, then why we want that warm or sweetness and the like that just does not exist in the reality. Yes we like the " ilusion " .

Some one of you posted: "" analog is nature, what else would people be searching for. """

well I learned that the last link between the ears and brain is an Analog to Digital Converter and I posted from where came that lesson.

What happens with LP vs digital is exactly the same when we discuss tube vs solid state, here what is totally out of reality is the tube technology but for some of us is what we are accustom to and for that reason is what we like even that puts us faraway from the recording when solid state puts us nearer to the recording but this overall subject is for other dedicated thread.

Now, if any one of us LP lovers ( as me. ) fine tune our room/system for digital ( including all the ones that " hate " digital. ) a great side reward is that after the room/system digital fine tunning the LP experiences will be better than ever.
Please don’t say NO just try it and fine tune your room/system till you can listen digital in a " decent " way. That makes a quality paramount differences for the better always and will makes that LP shines as never before ! !

R.

Der @geoffkait  : """   digital generally still sounds thin, unnatural, bloated, bass shy, inarticulate, congealed, zippy, two dimensional, generic, metallic, electronic, like paper mache, bland, hard, piercing, compressed, airless and sour  ""

you have a problem too, not digital technology.

R.
Dear @jaferd : Harsh through digital?  , then your room/system has problems with. Please re-read my long post.

Digital is not harsh per sè, problem is in your system. You don't need to be an expert to understand it.

R.
Dear @parrotbee  : Why do you want to get CD warmer when live MUSIC seated at nearfield position is everything but warmer ?

I don't know what is your reference,  mine is live MUSIC and digital puts me nearest to that reference.

R.
I forgot: Do you know that our brain has a very complicated sampling rate for harmonics that we think we can't hear?

R.
Dear friends : My take on this audio subject is that ech one of us are not totally rigth or totally wrong. In some ways each one of us have more or less " reasons " about.

What’s not questionable is each one of us preferences, this is out of question.

I’m with the gentlemans that think today digital technology is superior to the analog/LP medium. Even that I like LP technology too, at the end I’m a music lover and then an audiophile too.

Digital and LP have its own trade offs, a lot more negative trade-offs in the LP side nd that’s why makes no sense to me that some of you are against digital because does not sounds like the LP but all of you analog lovers need to make a favor and ask your self: why digital should be sound s analog when analog/LP is a wrong technology full of degradations and full of distortions? why is your reference against digital?

Maybe could be because is what we are accustom to for many many years but this fact does not tell me and can’t tell me is the rigth way to go because today it’s not when the digital it’s.
I listen to both formats and even that like almost all of you I’m accustom to LP sound I know for sure digital is superior.

LP signal degradations and full of distortions????. Please let me explain where through the long road the recorded LP signal information must pass before we can listen nothing through our speakers:


With out " seeing " both whole proccess ( digital/LP ) I want to analize 2-3 steps on the analog side:

RIAA eq.: this analog recording step is " fulminant " for the audio signal, terrible for say the least, because we have to think that from 20 hz to 20 khz the audio signal is equalized in between ( around ) -18 db to +18 db. In reality the RIAA is an equalization curve, a severe one that affects every single MUSIC note/harmonics.

Other step is that the equalized audio signal must be recorded/cutted and end in the vinyl material where is imposible to be faithful to that " original " equalized audio signal.

All these severe audio signal degradation does not exist in the digital recording process that’s more " direct " than analog.

Exist other degradation issues in the analog recording process but with those are enough by now.

Playback at each one of us room/system:

digital is extremely easy and more " direct " too, with a lot lesser signal degradation than in analog and when we are taling of " signal degradation " we are talking that we are adding distortions at each of those additional steps.

Digital needs a DAC and is " done ". There is no need of a phono cartridge with all its disadvantages and other additional steps to listen it.

During playback process and before the cartridge we have to " figth " with every kind of unstabilities in the TT even on speed accuracy, motor noises, damping problems and the like.

Along those comes the LP imperfections as: off center records and the fact that all LP comes with macro and micro surface waves due that are not totally flat. All those develops additional distortions to the analog playback experiences.

But not all stops there, the worst is forth coming when the stylus tip touch the first recorded groove:

first than all is that for the playback process stays faithful to the recording that stylus tip must be ridding/tracking exactly with the same angle that the grooves where cutted ( this never happens not even in LT tonearms. ) and must rides/follow those grooves adding nothing but the movements/modulations that produces those grooves.
This is that must mimic the grooves with out any kind of generated vibrations/movements kind of feedback: impossible to achieve it, all the analog playback process is added by different kind of distortions and we can´t do nothing at all.

ELLIOT.. POSTED: """ analog is unbroken ribbon, digital is an assembled chain. """ really?. No way my friend, analog is an assemblend chain and not only because the cartridge stylus can’t read exactly the recorded modulations but because at micro and I mean it MICRO levels the stylus tip is not riding stable and continuos but with micro jumps. Each groove modulation is an obstacle/wall for the cartridge very tiny stylus tip

In that stylus tip job exist differences on the problem/distortions levels depending on the stylus tip shape, stylus clean shape, stylus tip damaged level, LP surface clean condition or dust, and very critical the self cartridge tracking abilities and the cartridge/tonearm accuracy in the set-up. A nigthmare for say the least.

But things go on: that cartridge is mounted in an imperfect item name it: tonearm that generates by it self several kind of different distortion levels some by its feedback and some other because not well damped design and all these affects and degrades the audio signal.
Additional the audio signal must pass through the tonearm internal wires and cartridge tonearm input/output male/female connectors before gone to the phono stage. More distortions generated there.

The worst for the end: signal goes through the phono stage:

at this step begins the real earthwake a full 10.0 Ritcher scale one when that already and heavy degraded audio signal must pass for the inverse RIAA eq. that never can mimic the recorded RIAA eq. due that always exist deviations ( the phono stage spec in your unit: 20 hz to 20 khz +,- 0.1 db., in the best cases. ).
This second equalization stage destroy per se what left of that audio signal but things goes on because the signal must be amplified almost 10K times ! ! ! ( LOMC cartridges. ) before the linepreamp can handle the signal.


So, now just imagine if what we are listening through the LP is better than on digital medium where the signal did not pass through all those " torture " analog steps..

We like analog because for to many years we are accustomed to those very high distortion levels: we are accustom to, our ears/brain takes it as the rigth sound to listen MUSIC when digital is something totally " new " for the brain. NO analog/LP it’s not the rigth sound.

Today digital is nearest to the recording and nearest to what the recording microphones pick-up and these means nearest to the live music. Analog/LP is far far away from there no matters what.

Btw, all those gentlemans that can’t listening for more than 20 minutes digital because the " harsness " or digital sound have a room/system probelm and why I think this way:

digital is really more more demanding that analog. Through today digital medium this medium can’t hide all the room/systems " errors "/distortions at each one room/system link when through analog/LP all those room/system self distortions are totally hidden due to the higher distortions generated/developed in the LP playback proccess.

Today digital is a true test for every single room/system. If digital just does not performs good/rigth in your system then you are in trouble. Period.

In the other side nothing is wrong with digital vs analog because for your information inside our ears all of us have an ADC !!!! surprise?, please read these article information where we can read these 3 highligths about:


""" the ear. This small organ has quite a few surprises in store for us. We’ see that it’s literally crammed with equalisers and dynamic compressors, including a multi‑band one. It even includes an extremely efficient filter bank, as well as a highly sophisticated analogue‑to‑digital converter.




The Inner Ear: Multi‑band Compression, Pitch Tracking & ADC

"" There are two kinds of hair cells. The outer hair cells are the actual receptors. When the tectorial membrane moves, so does the hair on the the outer cells. This movement is then encoded into electrical digital signals and goes to the brain through the cochlear nerve. """


" "With the hair cells, we come to the end of the audio path inside the ear. Hair cells are neurons, and the purpose of the outer hair cells is to convert the mechanical vibrations that come from their cilia into nerve signals. Such signals are binary (all or nothing), and seem to be completely decorrelated from the analogue signals to which they correspond. In other words, they’re digital signals, and the inner hair cells are analogue‑to‑digital converters. """


Regards and enjoy the MUSIC NOT DISTORTIONS,
R.


Just for your records please read what this gentleman posted on digital:


https://forum.audiogon.com/discussions/interesting-project-started-by-michael-fremer/post?postid=1261854#1261854

and look his room/system:

https://systems.audiogon.com/systems/615