Why the obsession with the lowest octave


From what is written in these forums and elsewhere see the following for instance.

Scroll down to the chart showing the even lowest instruments in this example recording rolling off very steeply at 40 Hz.

http://www.homerecordingconnection.com/news.php?action=view_story&id=154

It would appear that there is really very little to be heard between 20 and 40 Hz. Yet having true "full range" speakers is often the test of a great speaker. Does anyone beside me think that there is little to be gained by stretching the speakers bass performance below 30-40 cycles?
My own speakers make no apologies for going down to only 28 Hz and they are big floor standers JM Lab Electra 936s.
mechans

Showing 1 response by stewie

My experience is a limited one, but here it is: I had a pair of Kef Reference IIIs for several years, and loved them; I think the floor on them is something like 40 hz. Very fine controlled bass. Then I got a pair of von Schweikert VR4 gen iiis., which have a floor of 20 hz. What I noticed was, as Tvad suggests, something nearly physical, in particular when listening to, say, the acoustic bass of Arild Anderson: it's the thud under the low notes that I really heard--or felt--for the first time. Then there is the orchestral/choral music of Arvo Part. In any case, I can't be sure whether it was the 20hz that made the difference, the speaker design apart from the 20hz floor), or the different flavor of the two speakers from 40hz and higher. But the vrs broadened the lower spectrum, and I'm speaking as someone who doesn't go in for cranked up bass that smears everything into a mess.