Why the obsession with the lowest octave


From what is written in these forums and elsewhere see the following for instance.

Scroll down to the chart showing the even lowest instruments in this example recording rolling off very steeply at 40 Hz.

http://www.homerecordingconnection.com/news.php?action=view_story&id=154

It would appear that there is really very little to be heard between 20 and 40 Hz. Yet having true "full range" speakers is often the test of a great speaker. Does anyone beside me think that there is little to be gained by stretching the speakers bass performance below 30-40 cycles?
My own speakers make no apologies for going down to only 28 Hz and they are big floor standers JM Lab Electra 936s.
mechans

Showing 2 responses by samujohn

Well, in defense of my sex I can say that women only like that "sissy" music
that has "no balls". If we are done now with stereotyping, perhaps we can return to discussing stereo equipment.
A friend plays the pipe organ, I often attend his practice sessions. No reproduction even come close to the power of such an instrument, however-the organ produces enormous amounts of noise. There is the air rushing through the pipes, the sounds of the mechanical opening and closing of swell doors,not to mention the opening and closing of valves, the operation of compressors.....
An orchestra on stage is also the venue of extraneous noises. At a concert we ignore these noises, yet they can make up an important part of the experience we remember. Until recent years I did not realize how many of the noises were recorded and reproducible on modern equipment. Sometimes they add a great deal to the sense of realism- sometimes not. Those of us fortunate enough to not have to worry about our neighbors hearing our systems have a real advantage in this area.