Why the obsession with the lowest octave


From what is written in these forums and elsewhere see the following for instance.

Scroll down to the chart showing the even lowest instruments in this example recording rolling off very steeply at 40 Hz.

http://www.homerecordingconnection.com/news.php?action=view_story&id=154

It would appear that there is really very little to be heard between 20 and 40 Hz. Yet having true "full range" speakers is often the test of a great speaker. Does anyone beside me think that there is little to be gained by stretching the speakers bass performance below 30-40 cycles?
My own speakers make no apologies for going down to only 28 Hz and they are big floor standers JM Lab Electra 936s.
mechans

Showing 1 response by ecruz

FWIW, I'll share my experience on this.

I once heard a demo at a local shop. It was a recording of an acoustic guitar. Nothing else. Don't remember exactly what speakers I was listening to. I listened for a while, it sounded very nice. The dealer then said," I'm going to switch things up a bit and let you listen to the same recording, same speakers, same amp. Tell me what you think". I listened again, wow! It sounded more real, deeper soundstage, more immediate, etc. Like the notes were floating out there instead of coming from the speakers. I asked if he switched cd players? "Nope", he said, "I turned on the REL sub in the corner over there".

There's definitely information that we process, even if we don't exactly "hear" it.