Why recordings made before 1965 sound better.


 

I’ve brought ht up this topic before, and I believe my point was misunderstood. so, I’m trying again.

Many A’goners have commented that recordings originating in the late 50’s and early 60’s which have been transferred to CDs sound particularly open with better soundstaging than those produced later.
Ray Dolby invented his noise reduction system in 1965 to eliminate what was considered annoying tape hiss transferred to records of the time. The principle was to manipulate the tonal structure so as to reduce this external noise:

“The Dolby B consumer noise-reduction system works by compressing and increasing the volume of low-level high-frequency sounds during recording and correspondingly reversing the process during playback. This high-frequency round turn reduces the audible level of tape hiss.”

‘Dolby A and C work similarly.

I maintain that recordings made prior to 1965 without Dolby sound freer and more open because the original tonal structure has not been altered and manipulated.

128x128rvpiano

Showing 2 responses by elliottbnewcombjr

Dolby was for TAPES, particularly Cassette Tapes, NOT LPs.

And, prior to improvements in tape formulations and tape mechanisms.

 

All Tapes make Hiss, and Dolby B was developed for the noisiest: small 1/8" wide Cassette Tapes, running at very slow 1-7/8" IPS.

 

The narrower the track (less magnetic material) and/or the slower the speed (also less magnetic material), the higher amount of noise i.e. Signal to Noise Ratio!!!

Master Example: 1" wide 30 IPS. Some used 35mm 1-3/8" wide.

Cassettes were originally made for dictation, they ran 1 mono track one direction at 1-7/8 IPS. Then manually reverse, 2 mono tracks at 1-7/8 IPS.

Next: 2 forward tracks: Stereo; and then 4 even narrower tracks on 1/8" wide tape two forward and two reverse, still only 1-7/8 IPS.

Next, auto reverse, and either a 2 track head that spun around, or separate forward and separate reverse heads.

A piece of crap format to begin with, made acceptable, and even better than that by all subsequent advances, and the ability to make your own tapes was a genuine treat. Dual decks, dubbing, OMG the freedom was intoxicating.

similarly 8 track cartridges, before cassettes, the ultimate piece of crap, were initially made for use in radio stations for advertisements (not much tape (i.e. less weight thus less force/abuse involved), And a moving head with serious alignment problems. But, their PORTABILITY was a revolution!

8 tracks were meant to be thrown away when that ad campaign was over). essentially same width track as cassettes (8 tracks on 1/4" wide tape), and twice the speed of cassettes, 3-3/4 IPs. Never advanced like Cassettes did.

The beloved consumer loved portability and like mp3, accepted reduced quality for quantity, reduced cost.

improvements along the way: better tape formulations, different bias types, more precise mechanisms, 6 heads AND Dolby or DBX noise reduction combined to yield ’better and better’ results from Cassettes

..................................

So, regarding Dolby, as it relates to LPs, is not so easy to decipher.

Let’s not forget, early auto systems weren’t great either.

 

cleeds,

thanks for the info about cartridges, I have read in several places over the years that 8 tracks were developed by Lear, for radio ads, so I am guilty of repeating bad info, it's good to know more.

consumer pre-recorded 8 tracks, bad as they are, were a revolution because of portability. the 1st time I took one apart, I couldn't believe the mechanism. how does tape come off the inner diameter and go on the much larger outer diameter? 1 revolution, very different lengths of tape on and off???  took me a while to understand the slip sheet and gradual tightening involved. then yanking the tape up and over the top of the spool of tape, OMG.