The loudness contour as they use to call it was used to correct the low sensitivity of the ear when listening at low levels. Some had compensation for low and high frequencies, others just low frequencies. This switch irritated many salesmen back in the day, saying too many people abused it instead of using it for what is was designed for. I believe the Mid-fi Outlaw receiver has this compensation. Good product from what I have heard. $800 retail, Stereophile class B component.
Why is loudness compensation missing from "mid-fi"?
Very often I like to listen at low volume when writing or trying to fall asleep. Without adjusting loudness, a lot of my favorite records sound faint and hollow. My current setup lacks loudness compensation, so I simply fiddle with the tone controls, but it's a crude "solution" and a bit of a nuisance. I've been researching my next upgrade, and I find it strange that some entry level equipment has loudness compensation (e.g. Yamaha A-S301), as does some high end equipment (e.g. Accuphase), but usually nothing in between. (e.g. Yamaha A-S1100). Why is that?
Every time I'm about to pull the trigger on an A-S1100 I talk myself out of it by telling myself I'll still wish I had the Accuphase for loudness compensation. It's annoying, because my setup really doesn't warrant an Accuphase — or maybe it does, if I can't find what I want elsewhere?
Every time I'm about to pull the trigger on an A-S1100 I talk myself out of it by telling myself I'll still wish I had the Accuphase for loudness compensation. It's annoying, because my setup really doesn't warrant an Accuphase — or maybe it does, if I can't find what I want elsewhere?