why is a 13" tonearm design really superior?


we just mounted the SAEC WE-8000 on my Nakamichi and I can´t really believe what kind of fantastic sound this tonearm is able to reproduce. Is it because this is a very special 13" design or because of the extraordinary headshell design? I think it is the only tonearm with such a long straight alu-pipe. Am i right? Also the lift design is unique, this lift stops at every level you like to use.
Why are todays tonearm developers not anymore going for a 13" or 14" design?
thuchan

Showing 1 response by flyfish2002

During my e-mail exchanges with Bob Graham when I recently upgraded my 1.5t to a Phantom Mk ii, he indicated that he is not in agreement on "longer tone arm length means superior anything" when viewing the tone arm a comprehensive whole.

He felt his standard Phantom Mk ii (which I believe is 9.5") is a world class tone arm - period. Bob indicated that he did develop the 10" Phantom Mk ii arm wand for the sole purpose of accomodating those TT owners who use a ring clamp of some sort, like the VPI super platter with ring clamp. I have a TNT IV with super platter and ring clamp. Without the 10" Phantom Mk ii, the ring clamp would grind against the Phantom - not good.

I do not understand the science behind these discussions, but I wanted to share the opinion of one of the "masters" in this area.

I like Graham arms, so for me, I will accept Bob's design decisions. For others, maybe not so much. That's the beauty of our hobby.

Brent