i’m a mastering engineer with 11 Grammy winning projects in my résumé and I work on every style for 25 years… Here’s the reality
16 bit 44.1 Audio (CD) is not in any practical way inferior to 24 bit 44.1 Audio or 24 96 or 192 for 99% of modern recordings and only 1% of us could tell 24 from 16 bit
The industries surrounding higher bit rates and higher sample rates, those are all bullshit… The best quality master is the one that was done in the mastering room, someone like Daniel Lenois did many amazing records using 16 bit DAT tape, for example
streaming audio is very much inferior to 16 bit audio