Why Are Mono LP's So Undervalued By Most Classical Collector/Listeners?


Hi,
I listen to perhaps 30 classical and jazz records a week. It’s part of my job. I get frustrated by how most classical music buyers’ avoid mono pressings and only chase the stereo copies. Some of the mono versions I have heard have spectacular, natural-sounding sonics. Buyers could get these mono versions for a fraction of the cost of the same in stereo. Why is that?

I apologize in advance if this topic has already been covered.
128x128voiceofvinyl

Showing 2 responses by voiceofvinyl

The Julie London monos are spectacular at capturing the sense of warmth and intimacy of her lyrics. BTW, I think she slays Diana Krall.
Yes, imaging is more apparent with stereo. With mono, its more subtle. I tend to concentrate on featured artists and their instruments like a Gould sonata or a Heifetz concerto. Some of my Glenn Gould Columbia mono’s are just "in the room" for me. With these type of recordings. it's more of a "what" than a "where" experience for me.